Today’s comic was written and penciled by my wife! (I did inks and colors)
I am very proud of her and want to encourage her to make more art and speak her mind.
The neighborhood my wife and I live in is a battleground. Dueling graffiti marks the signposts, walls, and pavement. Messages of love and mercy to the Palestinians being starved and murdered, vs insults against these messengers and calls to bring home the remaining Israeli hostages. Messages get written, posters and stickers go up, and then, within an afternoon, those same messages are scribbled out or washed away, and those stickers ripped down or covered up. While I have sympathy to the families of those held hostage under Gaza (all of whom remaining are soldiers, by the way), I’m sorry, but at this point of over 730 days of genocide in Gaza with a death toll of over 600,000, if your primary concerns are about the remaining hostages rather than the massive scale of death, destruction, and suffering, that speaks volumes about what kind of person you are.
My wife was moved to write this comic after witnessing these two years of atrocities, and seeing countless instances of messages of love and mercy being rubbed out or washed away. Images of little children who have been killed in Gaza being scratched away so onlookers can’t see the human faces of this ongoing atrocity. What kind of person does that? What kind of person is only concerned about a handful of prisoners of war, and about the power and sovereignty of a settler colonial religious ethnostate, when hundreds of thousands of people have been killed in bombings, shootings, and intentional starvation?
As you read this independent platform, deals are being enacted to hand over control of most of the major media outlets to vocal, out and avowed Zionists, such as Larry Ellison and Bari Weis. Their stated goal is to further shift messaging to a pro-Israel lens, and prevent anyone from seeing the reality of the mass atrocities being committed, or from seeing the victims as human beings.
Make no mistake, there is a psychic war being waged against your very soul and humanity.
They want you to not care about the oppressed and the downtodden, to think that they deserve their fate, that there is only one valid vector of sympathy, and it is the western aligned settler state that our governments benefit from. They want you so desensitized that, when these tactics come home, you won’t have sympathy for those victims, either. Even if you do happen to see some independent outlet, or grafiti, desperately trying to tell you otherwise.
If you want to save your soul, the first thing you have to do is look.
All of us really do seem to exist in parallel worlds now.
Talking to clueless liberals who seem utterly unaware of the terrifying reality facing trans people right now. Witnessing right wingers fabricate an entire fiction where trans people are responsible for every mass shooting and terrorist action. Massive internet meme-cultures that are incomprehensible to outsiders.
My understanding is that there are apparently scores of people who had only ever known Charlie Kirk to be a sort of inspirational speaker who encouraged hard work and going to school? They had apparently only ever seen a curated selection of clips that omitted all of his horrendous, multifaceted bigotry. I say this half facetiously, as there are untold scores of racists insisting that ol’ CK was a Christ-like saint who never said a hurtful word to or about anyone in his life, as though they didn’t follow him specifically for his racism, while at the same time there are apparently scores more of suburban white moms who do genuinely seem to have a curated understanding of Kirk that only included innocuous motivational messages. An algorithm tailored to a person can show them whatever they want to see, or whatever someone else wants them to see.
Personally, I had only ever known Kirk to be a vile bigot who said horrendous things about my community, and about numerous other communities. I never heard him say a good word about anyone who wasn’t white, straight, Christian, and American. I guess he had his one black friend in Candace Owens, but she’s an evil cunt, too, so it’s not like him filling that token slot with someone willing to agree with all of his bigoted views is going to earn him any points. As far as I had ever seen leading up to his death, the dude fucking sucked.
Of course, that’s not me saying that.
That’s just my social media algorithm feeding me that side of him! I wasn’t shown the good, gentle side of Kirk, apparently. Just like all of these sheltered boomers who only ever saw the nice half of Charlie can’t be blamed for not seeing his bigoted, hateful side, right? So me having these views of Kirk isn’t me being disrespectful to him at all! I just need to see that nice side of him and it’ll balance out my view, right?
Except, is someone who is sometimes nice to people and says things that some people find to be helpful and motivational, but who also sometimes says really horrible things about entire groups of people, really a good person? Doesn’t that nasty part of them kind of override the nice side?
It depends on how nasty we’re talking about, I suppose.
From what I can see, there is nothing motivational Charlie Kirk could say that would override the horrendous nature of the many, many bigoted statements I have seen and heard him make over the past decade or so. No, I am not going to dig up clips of his jackass face. If you can go listen to an entire, unedited Charlie Kirk speech or podcast episode and hear all of the horrible things he routinely says… sorry, said about black, latino, muslim, disabled, homeless, trans, and gay people, and find no issue there, then I have news for you: you, too, are a bigot.
And, while we’re at it, while I really do think that American political violence is a genuinely bad thing for North America and the world, and I really don’t want any podcasters or streamers to be murdered, you have to admit that Charlie Kirk’s death wasobjectively hilarious.
Oh is my humor too edgy for you? They’re just jokes, bro!
You mean to tell me that this guy who spent his adult life arguing for the unchecked proliferation and carrying of guns in his society, including making statements that gun deaths are an acceptable price to pay for the 2nd amendment, while he was “debating” somebody on this very issue, right after he gave a shitty, bigoted answer to a question, he was shot in the throat, thereby preventing his further advocation for guns. C’mon, that is the purest irony.
Also, there was yet another school shooting later that day carried out by a guy just like Charlie Kirk, and nobody even talked about it.
Also, don’t give me the “what about his wife and child?” Nobody marries a cunt like Charlie without also being a huge cunt, and there is no way that cunt Charlie was going to raise those kids in any way that wasn’t going to fuck them up. Those kids are most certainly better off without him in their lives, and judging by the TPUSA meme coin the widow Kirk placed in ol’ Charlie’s corpse hand at his funeral, she’s going to be just fine herself.
Charlie Kirk (KIRK) price is down 23.26% in the last 24 hours
Of course, I suppose me just even saying all this as a trans person is marking us all now as terrorists? Except I got a feeling you guys are gonna label us all whatever you want, no matter what we say or do. You dummies already label us as genders we aren’t, and yet here we are. So I’m not about to hold my tongue on my own blog over the likes of Charlie Kirk, the evil little dork who died of irony.
This whole double standard is infuriating (careful, don’t show any anger or that’ll mark us all as emotionally unstable!) These pieces of shit get to call all of us the worst things under the sun and openly call for our imprisonment and torture, but we are not allowed to ever say anything in response or else we are the ones being aggressive. These nazi motherfuckers commit thousands of mass shootings every single year, and they have the audacity to say that we, the most persecuted group in this piece of shit society, are the ones responsible. Mass shootings are overwhelmingly done by right wing white cis men, and nobody talks about rounding them all up in the halls of government, nobody gets to just openly call them slurs and push for their medical torture. A trans girl is murdered or takes her own life, and the social media posts announcing her death get tens of thousands of laugh reacts, but we’re not allowed to breathe a sigh of relief when a bigot propagandist gets a taste of his own beliefs.
Aside from making it easier for them to justify getting rid of us, they are frankly lucky we don’t do shootings.
All we want is to live in peace as ourselves and they refuse to leave us alone. They demand the right to lord over us and inflict the worst tortures we can imagine upon us simply because to do so would torture us, and they need someone to torture to keep this hate-machine that prints money for old, white men running until we all go off the cliff with it. They need to keep you beating up on the pinata so you don’t turn on them, and because it flatters you, you go along with it and never question whether these people deserve what is being done to them. Or whether this couldn’t ever be turned upon you.
Truthfully, yes, I do feel hatred towards these people, because all I have ever felt from them is hatred, and their hatred came a long, long time before mine. If they are also good, kind people to others in their lives that they apparently deem to be fully human, I truly do not care, because they don’t seem to view me and all of my friends as fully human. They can stop being bigots any time at no cost to themselves other than a solid grift at the end of the world, we can’t stop being who we are without it being the end of our worlds.
I don’t care if this gets me put on some kind of a Palantir list. I’m already a tranny and a commie so there’s a spot reserved for me on there already. You could say I’m Palan-S-tier.
It’s not like I’m ever going to the United States again – even after Donald dies eating his 1000th stroke commemorative hamburger and Interim-President-For-Life Peter Thiel is peacefully elected out of office by the Harris-Cheney 2036 ticket, I’m not setting foot in that bigoted cess-pool. The damage is done and Americans have shown a side of themselves that I don’t think the rest of us can unsee. I wouldn’t eat any food or take any medicine out of RFK’s FDA or drink any tap water, for that matter. Besides, what are you even doing at this point if you’re not on some list by these bozos? What? Are you hoping they’ll leave you alone while they snatch up everyone else? Maybe it’s easier for me to say up here in Canada – you know, where our parliament gave Charlie Kirk a standing ovation and our “Liberal” government invited one of the architects of Project 2025 up to act as a consultant. If I’m lucky, I’ll only have to deal with whatever list I’m on during the US annexation of Canada. Until then, I refuse to be cowed into not saying exactly what I think about these wicked beasts, who are the source of all ruin on this earth.
RIP Charlie, the best video you ever made was your last
PS loljk this is all because of my social media algo so dont be mad 😉
New Comics coming out more! I am determined to return to putting things out! Somebody’s gotta fill the big hole left in all our necks by Charlie’s passing!
My bike got stolen the other night while I was teaching my FREE Queer & Trans Karate class! Maybe you can help me replace it?
I’ve made no secret in these blog posts how I’ve felt ‘stuck’ when it came to making comics. Whether it’s feeling trapped by the exhausting pressures of social media, discouraged by the state of the world and the evident failure of beliefs I once held about the power of art to effect social change, or simply just dissatisfaction in my line art vs my landscape paintings, comics just haven’t been forthcoming for me, even as I have resurrected this blog and done my best to post regular updates.
This past May even marked the 10th anniversary of Life of Bria, and I was so busy with sumo wrestling training that I didn’t even mark the occasion!
Just as I remember being that care-free girl after I first came out, I remember when I first started making these comics, and how excited I was to go into my art studio every day and just… draw. I felt so lucky that not only did I get to be myself, but I also got to do what I wanted to do. I am sad to say that I haven’t always kept that energy up over the last 10 years.
The first ever comic posted to this site!
In addition to my falling out with comics, I’ve felt generally disillusioned and burnt out for a long time. I feel like a bitter, jaded, middle-aged woman in a world that is leaving me behind (not an inaccurate description of reality imo). But the real event and resulting feelings that this comic came out of had me wondering about where exactly that carefree girl I once was thought she would be when she was my age. I know many aspirations she had didn’t come true – both for better and for worse. I am definitely living a very different life than what she imagined, and that’s fine; we shouldn’t feel imprisoned by our past selves. But one thing I know she didn’t want was for me to be sad. To be bitter, hateful, mistrustful of others, and to not believe in herself. Those are all things that I have felt far more of than I think she wanted for me.
That girl 10 years ago did what she did because she wanted to be happy. And she was.
She was also very sad at times.
The first years of transition are very difficult, and she went through them mostly alone. During periods of my life where I remember myself being my happiest, I know for certain I was often quite depressed, as well. Dysphoria was a constant, as well as dissatisfaction with my art and career, and sadness about so much of my past being trapped in the closet. I carried on through those difficult times, though, because I had hope for the future. I hoped one day I might like myself and my body, just as I hoped one day we might live in a kinder, more sane world.
But, just I wrote about recently, I’m still me. And this world is still the same cruel world it’s always been. In fact, just as I keep getting older, the world just seems to keep getting more cruel.
The first ever “Life of Bria” comic – so much has changed in 10 years!
But 10 years ago, when that scared, but hopeful, girl first came out, she was prepared to lose everything. She was prepared for everyone she knew to leave her, to never have any opportunities again, and to never “pass” as a woman in eyes of the people around her. While the woman I am today doesn’t have the benefit of youth and the wide-open hope and potential that it holds, I can say that none of those terrible things came to pass, and that in many ways I am living a far better life than she was fully prepared to lead.
The time in my life when I first came out felt like the “end” of something rather than the beginning. I had been through so many trials and adventures leading up to coming out, and my admitting my gender and taking steps to live life as who I wanted to be felt like a culmination of my entire life’s struggles up to that point. In a grand, heroic narrative, that time was the conclusion of the story, with the happy life that resulted being the “happily ever after”.
But, as I also wrote about earlier this year, there are no happily ever afters. Life just keeps going. And while we can’t expect to be happy all the time, happiness is something you have to keep working at. You can’t just reach what you believe to be a conclusion and then rest on your laurels, you have to keep watering that plant, giving it sunshine, pulling the weeds, etc.
Most of all, you have to allow yourself happiness – your thoughts shape your experience of life, and it is far too easy to fall into a habit of shooting happiness down before it can form. Perhaps we might call that “depression”, but as I’ve learned from returning to daily martial arts training, “you are what you do” and a little bit of consistent effort adds up over time. So, for me, one of the first steps of maintaining the hope and joy of my past self is to nix happiness terminating ruminations on things that I either cannot change or cannot know for certain. Starting from a belief in at least the possibility of happiness is essential, and having a point in your past to look to where you know that happiness was possible for you is quite useful for this.
I really do want to come back to making regular comics. I want to be able to feel like my art and my voice matters. Most of all I want to fulfill my younger ambitions of writing more graphic novels. I’m still not exactly sure what that will look like, but I do know that it can’t happen if I don’t believe in myself, or think I’m capable or worthy of happiness. Nihilism is a useless belief, because if it ends up being true, then the outcome is no different than had you not believed in it. So you might as well not believe in Nihilism and act as though your choices do matter, just in case.
If all those struggles I went through really did culminate in me coming out and living some kind of happily ever after, then in order for all those struggles to matter, I need to keep going. I need to keep that hope alive. Of course, I believe transition was neither an ending or a beginning, but simply a continuation, and in order to honor ourselves – past, present, and future – we simply have to carry on.
Here’s to 10 more years ❤
They always play this song at the end of the CampOut! celebration dance, and I think it is the perfect choice for the next generation of queer leaders. I’m not even a MCR fan, but it brings tears to my eyes every year.
Please help me not be homeless!
All this stuff I do actually takes a lot of time and work, and the only way I am able to continue doing things and making art is through the support of readers like you! If you are able to send me a tip via Ko-fi, or support me monthly via Patreon, it is greatly appreciated.
It looks like I’ll need to update my previous blog post, because I recently discovered one more postcard painting from my 2024 series, “In the Spaces III”. This is actually the first of these paintings I ever did, and it was done at this time back in 2023, when I first got the postcard watercolour paper that I would use for the project while I was visiting Sophie Labelle in Finland. This painting depicts the view of the bridge from an island on the river that runs through the town of Joensuu. It was on this outing that I first coined the inside joke I share with Sophie of me yelling at her in public “I’m robbing you! I’m robbing you!” Hilarious!
I had thought I had sent this one off to my mom while I was still in Finland, but apparently I just stuck it in a drawer and forgot about it! As the first in this series of paintings, and as a painting that was done while I was still completing In the SpacesII, this one isn’t as developed as others in the series, or even as those done after it as part of ITS #2, but I find its looseness and simplicity charming in much the same way as my earliest paintings.
I am going to be honest and admit that I’ve never really liked my art. I actually initially went into comics and cartooning in part because I didn’t think I was capable of the artistic skill required to make beautiful works of art like paintings – an utterly ridiculous belief to still hold after 20 years of pursuing cartooning and comic art and learning how deep of art forms these are. I think there was a good amount of “gender” going on in this attitude, as there is I think a kind of “surrogate dysphoria” that goes into my general dislike of my art; an ingrained sense of “I categorically dislike myself, and anything that comes from me” learned over decades of untreated gender dysphoria.
But from when I first began painting back in 2023, I found a new sense of beauty in my art that I had been unable to see previously. My early paintings were less clearly defined. They were loose and tentative, with soft, translucent colours barely built up upon one another. It is here the name In the Spaces originated, for the image wasn’t being fully laid out in literal, descriptive detail, but was instead being implied with loose, often unconnected brush strokes, with room for one’s imagination to fill in the literal gaps. I, myself, have a very active imagination, so this approach may just appeal to me more than others, but for this same reason, the problem I had with my comics art and pen and ink illustrations was the literalness of my line-work. While I would improve over the years, I too frequently get caught up replicating details, and no matter how much I labored over a work, it would never look exactly like it would in my mind (or perhaps, more accurately, how it felt in my mind). So regardless of how good it may or may not have been, *I * certainly wasn’t ever going to like it.
The very first landscape I ever painted, from May, 2023. It shares the title “In the Spaces” with my first little book of paintings. It’s so quaint compared to my more recent works, but it moved me to tears when I first made it, because it was the first time I ever made art I truly felt was beautiful.
When I first transitioned, I was at a point in my life where I had seemingly moved away from visual art in favor of fitness and martial arts, and I made an intentional move back towards visual arts also out of a gendered sense of values. Not only did I learn in transitioning that things I had previously thought impossible (i.e. transition) were, in fact, possible, and so I figured I might as well try to go two for two on fulfilling my dreams and try to become an artist as well as a girl, but I think I also held in my mind’s eye a vision of myself as this kind of feminine, aesthetic, artist girl. A very hetero-normative vision of transition, gender, and professions. I wanted to both be beautiful and create things of beauty. While I strove to improve my skills and expand my repertoire, for years, I was resigned to my art always being “my art”. Meaning, it would always be the idiosyncratic, ugly line work of my comics. While this style would change over the last 10 years, it really wasn’t until I broke through that other ‘impossible’ barrier I was still holding onto in my mind and tried painting that I first made any art that I felt fit that category of “beautiful”.
My fingers often look much more busted than this after one of my daily “Shoving my fingers into a bag of rocks” Karate training sessions.
I find it rather ironic that I would achieve this gendered goal of creating beautiful works of art as I am once again shifting my focus in life and moving away from visual art and back to martial arts. I’m known as Buff Aunt Bria these days and my muscled arms don’t exactly paint a picture of the delicate, artistic girl I envisioned myself becoming in 2015. There is a push-pull with this. I think I overall like being a muscle lady, but it can be hard to feel feminine at times, especially since my training usually leaves me covered in scratches and bruises, and my fingers coarse, calloused, and often taped up. Having cute nails is nice, but having strong fingers is important to me, too!
As I put in my 2021 graphic novel, Coming Out Again, we don’t just come out once, but many times throughout life. We are continually evolving and our relationships with things like gender are forever changing. Just as I am a very different person from who I was in 2015, we are also living in very different world from then. From the way we talk about transness and gender, to the current political prospects for trans rights in society, a lot has changed that might affect how a trans woman presents herself and what she prioritizes in life. I no longer feel obligated to perform the kind of cishetero-normative femininity that I felt was required of me when I transitioned in 2015, and I additionally feel quite unsafe in the current political environment and want to be able to take care of myself and my loved ones.
This might be upsetting for fans of my work to read, but I’m actually not entirely certain I even like comics anymore. My neurodivergent brain has big swings, and often I either love something or I hate it. These days, I find myself hating the smirking faces of cartoon characters. I’m certain this has more to do with a sense of disillusionment with making comics for a living than an actual hatred of cartooning as an art form (you know, the art form I worked at for 20 years of my life). Unlike most comic artists, I got into making comics not out of any long-standing love of established comic brands and characters, but because 20 years ago, the art form was wide open for newcomers to tell new, original stories within. Today, there’s more original stories being told in comics than I could have ever dreamed of back in 2005, but big business now has its fingers in everything more than ever, I don’t know if there’s much room for someone like myself to make a living without having to cater to corporate practices and online trends.
I am not saying I’m quitting comics. The future is always uncertain, and regarding all things I always say “Never say never.” All I know is that, when I paint a landscape, there’s no bullshit. I am making a beautiful image meant to evoke the feelings I had when I visited a specific place at a specific time. There’s no message, no joke, no news item I’m referencing, no high-minded artsy concept, not even a depiction of any variety of person. I’m just making a beautiful thing that makes me feel good, and the only person in the picture is the person looking at the view. As a transgender person who has mostly been known for political work, I feel irresponsible for making work that isn’t speaking out about what’s going on in the world. But I also feel resentful that as trans person I’m not allowed to ever have peace. We must always be fighting, the cis people refuse to leave us alone. They want to empty us from the world, and they want to make the world into something ugly. Well, in my landscapes, there is nobody. Everybody has been emptied from the world, and this trans person can finally have a moment of peace. I can just exist, the land can just exist, and I can make and be something beautiful, solely for the sake of something beautiful.
…Juuuust about done on this one!
For real, I NEED YOUR HELP!
As an artist, I in no small part survive by donations from my viewers and readers.
“Choklit View” from ITS #2. A view of downtown from Choklit park, near my home.
In May of 2023, I began upon a project of learning to paint. I started out doing loose plein air sketches of landscapes in a cheap little book using dollar store water-colour paints. Over the course of the Summer, these paintings became increasingly complex, and once I had filled the first book, I immediately set out to bind a new book out of dollar-store water-colour paper and began on the next iteration of landscapes, which were even more complex than the last. I titled these two books “In The Spaces” I & II, respectively. The name comes from my interest in how painting can largely exist in the spaces in between brush strokes, allowing one’s imagination to fill in the details, creating an image far more pleasing than a fully literal, realistic depiction of the original scene, since it comes from your own hopes for what that image could be. Additionally, I was trying to recreate the experience of being in those places where I sat down with my pipe to paint on some sunny afternoon, as well as playing on the idea of these little books being a kind of mini art gallery – all spaces within spaces, within spaces.
My mobile plein air painting kit and a typical scene depicted in ITS #2 – Finland, 2023
In 2024, I began my next iteration of ITS, but instead of a bound book, this new series of paintings would take on a different form…
IN THE SPACES III: JOURNEYS BETWEEN
During my trip to Finland at the end of the Summer in 2023, I picked up a tin of watercolour postcards from an art supply store. Since I was in the process of creating “In The Spaces II”, aside from one card that I tried out while I was there, these cards would have to wait several months to be used. The first two iterations of ITS were about creating a micro space that held within it so many precious places – within time and space – that came in the form of a little book. In this, the third iteration, the book format is replaced by the tin of postcards, and the space that is created is to be sent out into the world to different recipients. So many fleeting moments in life go un-preserved anywhere outside of the memory of those who experienced them, and these moments in this collection, while preserved in paint, will leave me so they can be shared with others. There is a common thread among a number of the paintings of shared elements that affect us all across whatever space we might be in – the light, the land, the culture. Now these spaces can go out into the world and effect others as an element shared between us. Just as the original idea behind the name “In The Spaces” lies in my belief that a painting’s image truly exists in the spaces between the brush strokes, my life, this earth will now exist in between all these other spaces that been scattered across the globe. The space created in this iteration is both a micro-space and a macro-space. You, me, all of us, are now within the space that I have created. We all exist within a shared work of art. But then, we always have in one way or another, haven’t we?
#1: CHILDHOOD’S VIEW
Gabriola Island, 2023
Painted from a tripod video I took in late 2023 of the beach of my childhood during the cold of December in a similar manner to how the last few paintings of ITS #2 were completed. I generally try to paint plein air so as to capture the feeling of being there in the moment, but working from a looped video gives a similar feeling of movement much better than a still photograph can. I have so many fond memories of Summer afternoons playing and swimming here, but the beach in Winter always feels a little melancholy, perhaps not unlike looking back on childhood well into adulthood – a tantalizing vision of something that is ultimately unattainable. Especially since this was one of the earlier paintings I started in this series and I was still finding my way, I kept this one loose, which looking at it now, I feel allows my my memories of every season fill in the view as needed.
#2: CRABBY CAFE
Vancouver, 2024
The port, Crab Park, and the northshore mountains as seen from a ratty hole-in-the-wall cafe my wife introduced me to in early 2023. The food and coffee are vending machine grade or worse, but the atmosphere and view are perfect for my sensibilities. At that time, I was coming out of a bit of a low point in my life after struggling with chronic pain and stiffness since 2022, which made me question my future as an artist and which ultimately led me to explore painting as a gentler art practice that I could do even if my wrists hurt. During the creation of this painting, I was once again upset, but this time because I was worried that I had inadvertently offended a friend. Partway through, I received much welcome confirmation that I had not caused offence, and my worries were all in my head.
#3: DINNER IN AMERICA
Vancouver, 2024
Painted from a photo I quickly stopped to snap on my way home for dinner one chilly but sunny evening in early 2024. It was cold, and I was hungry, but I just had to stop and photograph that golden light of sunset cast upon the north-shore mountains. I had recently watched an excellent film titled Dinner in America, which greatly affected me and inspired me to name this painting after it. I thought about how that film captured a powerful shared sense of “American culture” that transcends national borders. Most of the time, my sense is that I do not wish to be connected to America’s frightening power and influence, especially these days, but I also thought about how that same beautiful light on the mountains shines on us all – that everyone on this continent could experience the same light on any given day, just as we are all affected by the same culture, history, and politics.
#4: CRANE AFTERNOON
Vancouver, 2024
One Friday afternoon in Spring, I decided to take some time for myself and hop on over to city hall to paint the view there. It was a brisk but sunny day, and while I enjoyed my time painting, I found myself growing tired and needed to go home and take a nap before the painting was completed. If memory serves, I believe I woke up feeling ill with the only cold I would get all year. While this painting was not completed within that one session, I wanted to preserve as much of the naive looseness that was originally present. So much of painting’s power is in the looseness – those spaces in between strokes – so to get caught up in the precise details of the crane might have taken something away from the casual nature of the initial session.
#5: AUTUMN MORNING IN NEW ZION
Utah, 2022
In the Fall of 2022, I went on tour with my friend, Sophie, who also hosted me in Finland. We drove around the Western USA in a loop that began and ended in Washington state, and which took us on 15 stops in 14 days across Idaho, Wyoming, Utah, Colorado, New Mexico, Arizona, California, and Oregon. After an event on the outskirts of Salt Lake City, Utah, we rose with the dawn to drive up the scenic roads in the nearby hills. I think it can be difficult for anyone who hasn’t visited Utah to imagine why the Mormons are able to see it as their promised land, but after having seen the rolling hills bathed in Autumn colours and a golden sunrise, I can understand a bit why someone might think they had found a place they could call home, especially after travelling across the sparse plains that the region sits at the edge of.
#6: MAGNIFICENT MESSENGER
California, 2022
On our Western USA tour, Sophie and I stopped in Joshua Tree national park and hiked up the mountain there. At the top, we were rewarded with spectacular views of the Coachella valley, but best of all was an enormous raven who was croaking vigorously – no doubt trying to coax some food out of the visiting tourists. We both felt incredibly lucky to be in the presence of such an excellent bird – especially since I never expected to see a raven in the desert – but there were tourists there complaining about how noisy it was – the nerve! I find desert landscapes difficult to paint, as they tend to contain a smaller variety of much more muted hues, but the presence of our raven friend made for a nice point of interest to bind the scene together, and the inclusion of glittery paint helped to capture that sparkle that sand makes in the sunlight.
#7: MIRROR ISLAND
Oregon, 2022
Near the end of our tour, Sophie and I stopped in Crater Lake, Oregon, for a quick hike. The waters of Cater Lake are so still and so clear, they make a perfect reflection. At this first point of interest with a clear view of the island at the lake’s centre, all of us hiking tourists were gathered, first in amazement at the lake’s waters, but then at what we all could only interpret as a wake caused by the swimming of some sort of large animal. Could it be some sort of Oregonian Loch Ness? No, it was merely an airplane leaving behind a vapour trail, perfectly reflected by the lake’s waters. I find it interesting that even in a “crystal clear, perfect reflection” we still see what we want to see; we can only interpret things based upon what is present in our minds. Every image that you see is ultimately created in the space within your mind.
#8: LIFE’S STAIRWAY
Oregon, 2022
Later on along the hike at Crater Lake was a beautiful stone stairway leading up a ridge to a cafe that was closed when we arrived. When I look at the composition, which features the stairway front and centre, I think of how far I’ve come since that 2022 tour and since starting this project of painting landscapes. Much of my artistic life, I have felt inadequate, and there are many projects that have been stalled or abandoned or never started because I didn’t feel I was “good enough”. For years, painting seemed like an unattainable, utterly foreign skill-set that I didn’t feel I was capable of even beginning to understand. But part of what eventually drove me to pursue painting was the sense that things could be loose or rough or imperfect, and that would be an asset, rather than a detriment, and if I’ve learned anything in the time since I started these painting projects, it’s of the value of consistent effort building up over time. Never stop climbing, even if it is difficult, and even if you are just at the beginning, or if you’ve been at it for ages but feel like you aren’t making progress. But also don’t become too fixated on the destination, and don’t be afraid to stop and take a look around to survey how far you’ve come so far. Not only might the teahouse at the top be closed, but even halfway up, there are beautiful views to be seen all around.
**IMAGE NOT CURRENTLY AVAILABLE** – My friend needs to send me a photo!!
#9: FRIENDSHIP IS MAGIC
Finland, 2022
Painted from a photograph from my trip to Finland and also sent off before I understood exactly what I wanted to do with these postcards. The scene is the view from the cable-car leading up to the first hike Sophie and I went on when I arrived in Finland (documented in The National Landscape from ITS #2). It reminded me of good times with my friend, and so I sent it out to cheer up another friend as a sort of vanguard of this project.
#10-12: THE FELLS 1, 2, & 3
Finland, 2023
Near the end of my visit to Sophie in Finland, she drove us 12 hours up north to the Arctic Circle to hike on the Fells and see if we could find the Northern Lights. A fell is like a large hill that isn’t quite big enough to qualify as a mountain. We got a bit lost and ended up hiking over 10 hours and never did see the Northern Lights, but I did get tons of great photos that will inspire paintings for years. The first of these fell paintings is on the way up the fell, where there was more trees and greenery.
The second is well up the fell and on to the other side, offering a sweeping view of forested valleys and bogs.
And the third fell painting is high up on the fell when we were good and lost.
#13: HARBOUR PLAYGROUND
Vancouver, 2024
East of where I used to live in Strathcona is the Hastings Sunrise neighbourhood. Out this way is a route that offers many opportunities for novel views of the harbour and the North Shore. This view comes from one of the many playgrounds and parks along this route. Just passed swing sets and benches, is harsh industry juxtaposed with splendid natural beauty. It is a land of many contrasts and its views stir in me bittersweet memories of my early 30’s, when I was a hopeful young artist striking out truly on her own for the first time in her life.
#14: THE NORTH IN THE EAST
Vancouver, 2024
Farther along the Route out in Hastings Sunrise is a little spot I long wished to stop with my pipe and sketch. This view of familiar mountains from an unfamiliar (to my daily life) angle and which I have to cycle a good ways to reach, always reminds me of some faraway, exotic land. In the summer of 2024, I had agreed to attend the Dyke March for Pride, but feeling socially burnt out and not in the mood to be surrounded by throngs of people, I played hookie and sought solitude through sketching. It sounds like they had a great march without me, and I got my wish.
#15: THE NORTH TO THE WEST
Vancouver, 2024
If you ride your bike to the top of Stanley Park, you will be rewarded with a tourist trap full of screaming families and school groups. But if you aren’t afraid to sneak a smoke in between gawkers, you can get some gorgeous views for painting. This rickety old rusted railroad Bridge runs past the First Nations reservation in North Vancouver and it’s intriguing to get a view of it from on high across the inlet. But my favourite subject is capturing the shadows cast upon the peaks in different seasons, especially if there’s some mist billowing off the ridge and across the slopes.
#16: NEW DAWN OF JUSTICE
Lake Louise, 2024
In summer 2024, just after my wedding, my friend, Celeste, and I went on a road trip to Calgary. That crazy girl planned for us a jam-packed itinerary that included driving for over 12 hours, stopping for the night at a truck stop and getting up at 3:00 a.m. to go on a hike up Lake Louise at dawn. This craziness paid off with some of the most stunning views I have ever seen. Celeste is an incredible young activist and I felt very lucky to join her on this trip during the scary time politically. I feel invigorated to be in the company of such inspiring people as my friend Celeste and this gorgeous view at dawn reminds me of all the brave young people I know who are just at the beginning of what they have to offer the world. A better world is possible, but it will only come with hard work and maybe some crazy plans
#17: ROADSIDE IN THE ROCKIES
Alberta, 2024
During our trip to Calgary, Celeste and I were shown around the surrounding Alberta countryside one afternoon by our Friend, Sophie (different Sophie). The Alberta Rockies have so much beauty that all manner of random photos snapped from a moving car are worthy of becoming paintings. Today Alberta seems to be a bit of a scary place for transgender people, but I’ll never forget when three trans women drove around the Alberta Countryside for an afternoon without anyone raising a stink.
#18: THE MAGIC BOG
Finland, 2023
Finland is known in Finnish as Suomi; the land of the bogs. When I visited in August the land was still bathed in a long Twilight for much of the day the bogs were full of this magical light bouncing off of the trees this painting was reserved for my friend, Meika, who took the reins of co-directing CampOut! 2024 – the 15th year of the camps operation. The theme was “15 Years of Camp Magic” and I can’t think of a better person than Meika to hold the camp’s magic, and since Meika refers to themself as a “Swamp Goblin”, this magic bog is the perfect picture for them to receive.
#19: THE MOON THAT SHINES ON THE LAUGHTER OF QUEER CHILDREN
Gambier Island, 2023
This painting was made from a photograph taken during the end of Camp celebration for CampOut! 2023, so you must imagine Hearing in this scene the singing and laughter of several dozen queer children all celebrating together in what was, for many of them, the first safe, affirming environment they had ever experienced. In other words; the most heartwarming sounds imaginable. CampOut! is nothing short of magical and its life-changing and transformative service that it provides to 2SLGBTQI+ youth is needed now more than ever. We are entering scary political times for the 2SLGBTQI+ community, and if you have never had a thought about our community before, I ask that you do so now, because the same moon that shines on you, shines on all of us, and the same laws they might use to control and harm us may just come back and be used to control you. While CampOut! is a group effort that depends on paid staff, volunteers, and tens of thousands of dollars in donations, it was largely made possible by the incredible efforts of one person; Anna White. She is like the bright, shining full-moon, whose radiance conjures the magical atmosphere of camp. If we had more Anna Whites on this Earth, then the world would be a brighter, more magical place, and if you ever doubt the ability of one person to change the world, just look up at the moon and think of Anna.
#20: THE VIEW FROM THE HILL WITH MY FRIEND
Williams Lake, 2024
Shortly after CampOut! 2024 I had the honour of being invited by a camp friend to go up to Williams Lake to teach karate at “Living Out Loud”, the first ever pride festival to happen there. At the end of the trip, my friend showed me around his hometown and we spent a lovely afternoon sitting and chatting up on a hill at the nature sanctuary in the middle of Williams Lake. Although places like Williams Lake are often thought of as being inhospitable to queer and trans people, folks like my friend are working to make the places they call home more hospitable for members of their community, and as far as I can tell, there is a vibrant and caring community up there, indeed. Just as we work to preserve and rehabilitate natural habitats, it is capturing this natural beauty of hidden or otherwise un-thought of places that motivates me to paint.
#21: THAT SHIMMERING AFTERNOON
Squamish, 2024
A week after my trip to Williams Lake, my wife and I visited another Camp friend in Squamish so they could both celebrate their 40th birthdays together. To mark the occasion, my wife and I both took some psilocybin mushrooms and walked down to the river for a lazy afternoon by the water. I tried my best to paint the beautiful scene there, but, truthfully, mushrooms aren’t the best for painting, and before long I was too distracted by feeling increasingly convinced that some rambunctious teenage boys playing in the river nearby were sizing us up so they could rape and murder us. Even at the time I thought the notion was absurd, but I also felt like I couldn’t fully trust my senses under the influence, and so we played it safe and called our friend to come and rescue us from what could otherwise have been an entirely pleasant afternoon. From now on I’ll stick with my pipe for painting!
#22: COMING BACK DOWN
Squamish, 2024
The next day after the birthday mushroom debacle, our friend drove us back down from Squamish. The route along the highway is littered with spectacular views that seemingly get ignored by most as if they were so much road litter. What I like most about working from a photograph like I have here with this image snapped from the car driving down the highway, is the greater opportunity to capture those dynamic moments of atmospheric movement effects, like mist billowing out from behind a peak. It somewhat paradoxically gives some movement to the still image.
#23: A YEAR-LONG HUNGER
Gabriola Island, 2024
Last year, in July 2023, I came upon this beautiful field on my way with my mom to go to a garage sale at which I would end up buying what would become my “painting purse”. We didn’t have time for me to stop and paint the picturesque scene, but little did I know that I would not get another chance to paint it until a little over a year later, in the summer of 2024, after a year of feeling a deep sense of PAINT LUST. I wanted that field. I thought of a painting it all the time, and now I have not just that scene or the beautiful sunny afternoon I spent painting it, but the entire year I spent chomping at the bit for it commemorated in paint. All of these things are now enclosed within the space of this picture. Quite the sandwich to quench one’s hunger!
#24: A STILLED WORLD
Vancouver, 2024
My favourite thing about when it snows is how, for at least a little while, everything becomes completely still and quiet. The world physically metamorphoses into an entirely new landscape that is too much trouble for most to go out in, but if you take the time to go out and explore this new world, you will be left in a deeper peace than can be found there at any other time. What I also like about painting snow is the opportunity to use glittery paint, as snow often glitters when you look at it. By adding glittery paint you add a little bit of movement and realism and it feels that much more like you’re there – unfortunately, much of this effect, along with the glitter effects presents in the other paintings, was muted by a miscalculation in choice of protective top-coat. Painting remains an ongoing learning process.
The original form of the cover, before it was mounted on the tin.
I am still figuring out what exactly I am doing with these, and with my painting practice in general. I would like to have a galley show of perhaps these cards before I send them out. I would also like to create postcard reproductions of them to sell.
Would you be interested in a printed reproduction of one of these paintings?
Would you be interested in buying one of the originals?
Would you be interested in buying another painting by me or commissioning me to paint a landscape close to your heart?
Comment on this post or email me at lifeofbria at gmail.com and we can talk. Otherwise, keep an eye out for future announcements of where I take my painting next!
^ The vibes of my painting afternoons…
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There are moments you build up in your mind that can never live up to the image in your head, and then there are moments that loom so large in your mind that you don’t know what to do with yourself once they are over. Things that occupy your every waking thought and action for such a long time that coming back to the rest of reality after they’ve past leaves you directionless. Moments that, as large as they are, are over almost before they’ve even began and before you can process them, and so it’s hard to even process that the moment has passed. You’re still there – either because you’re still wanting more and don’t know how to let go, or because the moment has changed you into something new, and now the reality you have returned to must itself be changed to fit the new you.
I didn’t take first place at the Powell Street Sumo Competition. I went into it “wanting to win” in the sense that I wanted to sincerely try my hardest. I didn’t want to give in at the first sign of tough resistance or choke in a key moment, and I can say that I didn’t do either of those things. But I didn’t *really* expect to win. I, a relative upstart in sumo, with a whole 4 months of serious grappling training couldn’t *really* think I could win multiple rounds against larger, stronger, more experienced competitors without enduring a single loss.
That’s the thing about sumo: it’s over in an instant. If anything other than the soles of your feet touches the ground, you’re out. One hand, one knee, the top of one foot, and you’re out. Not to mention that ring is not very big – it only takes a few steps back and you’re at the edge, and before you know it, you’re out.
An entire Summer of training. Doing 3 to 4 different training sessions a day, often with a nap in between. Pushing myself harder than ever before and achieving new abilities I can safely say I’ve never possessed, all backed up by my incredible coach, Sony Sahota of Praxis Gym, some awesome training partners, so many wonderful friends, and, of course, my beautiful and ever-supportive wife. I basically got to play at being a professional athlete this Summer, and I truly feel like this has been one of the greatest Summers of my life.
And in an instant it was all over.
Poor Miele keeps getting matched up with me. Thanks to cartoonist, James Lloyd, for snapping this photo!
My first match was against an opponent I had faced back in the Spring. A skilled grappler who, granted, is a little smaller than me, and but is also long-time member of the Sumo Sundays Club. But my single-leg takedown game was just too polished this Summer, and in the blink of an eye, I seized an opportunity to snatch up their leg and then it was all over.
But my next match, well, that was up against the previous winner of the “Super Heavyweight” division at the Spring Basho, so I, uh, hehe, couldn’t move him even an inch. Before I could find a moment to snatch up his leg, or even get my bearings, he had pushed me to the edge of the ring and I came down on my back – pulling him with me, but that makes no different in sumo.
I am glad to say that my disappointment was only momentary. Even before I found out at the end of the competition that I would win the “Fighting Spirit” award, I knew I wrestled my best and stuck to my game plan and proved that my had training paid off. When I lost, it was clear that no amount of training I could have done in that time period could have allowed me to go all the way and take first place this year. The competitor who won really deserved it. He’s the head of the Sumo Tigers team here in the city and he’s been training hard to win Powell Street for a good 5 or 6 years. As strong as I am and as experienced as I am in other martial arts, and as much as I was living and breathing training this Summer, someone like me isn’t going to just walk into a competition and take 1st against someone who’s been living and breathing this for literal years. It was a humbling experience wherein I saw just how far I had come, but also how much further I could still go. The best outcome from a period of intense work and preparation.
Honestly, even if I had won, I would be feeling much the same way as I am now. This moment I had been building towards for so long, over in the blink of an eye. Now what?
BE the competition!
During training, my grappling coach said something to me that stuck with me (partially because it happened to line up with my Tarot reading). He said that for a brief period you need to become the competition. You have to be one with the moment, the situation, all the dynamics going on, and respond to it naturally, honestly with exactly the energy that is required to fill in the space left by the shifting tides in and out of the moment. But when it’s over, you need to separate yourself again and come back to life.
I think this is the real change that occurred in me: for a brief period of time I was the competition. I lived for training, all I thought about was training. The was no separation between myself and the moment I was preparing for. Until, I suppose, I was knocked out out of it by, as the wonderful announcer put it, “losing a battle with physics.” I metthe moment ahead of me and gave myself to it as much as I was able to. And when that tide receded, I was able to smoothly and calmly let it slip away beneath my toes. That doesn’t mean I know where I’m going next, just that I can be ready to receive whatever the next tide holds.
I wrote in my last post about where I want my training to go once these challenges I have been building towards for so long are over, but I really can’t just be focusing on training. Living like a professional athlete is great, but a professional athlete I am not.
I know I gotta get back to making art again, whatever that looks like in this modern digital hellscape. But I also know I can’t go back to how I had been living prior to this period of training, which had me largely artistically treading water, just trying to survive. I need purpose. I need something that drives me, not just in my physicality (which is easy to find) but in my artistic output.
Christ. 2019?? I’ve been sitting on this WAY too long.
Actually returning to my comic, StarfistGemini, is certainly on the table for a long-term art goal for me, but having a concept of a project isn’t enough. Powell Street wasn’t the vague concept of “sumo wrestling”, it was a specific, defined event. A date I had to be ready for, with specific parameters of how I needed to be ready. The primary thing that has held me back from actually pulling the trigger on returning to Starfist is a lack of a defined plan for its release; a lack of a defined outcome for working on it. In the past, I could just put comics on social media and that would result in views, likes, Patreon, book orders – all the things needed to sustain an art career. But social media doesn’t work the way it used to (and I hate it and it was killing me), and long-form, full-page comics meant for print don’t read super well online, and unfortunately, it’s not the easiest thing to tuck into working all day long on a comic without revenue. What I need to do if I’m serious about doing graphic novels is actually pitch them to publishers – I’m just gonna have to get over my fear of rejection for this project that is so close to my heart. Hopefully, my meeting of the moment of Powell Street has taught me that I can meet the moment required of me in order to make the art I want to make happen.
Truly, what this is going to take is some soul-searching on my part to understand what I want to accomplish as an artist.
Just who am I now that this moment has passed?
Oh right! I’m Buff Aunt Bria!
If you live in Vancouver, don’t forget to come my FREE Queer and Trans Karate class! Mondays at 6:30 PM at 825 Pacific Street! All bodies and abilities welcome!
Please help me to live and keep making and doing good things!
There are moments that you build up in your mind for so long that, when they finally come, there is no way they could ever live up to whatever your idea of them was.
I remember reading trans people’s depressed accounts of not feeling “different” post-transition – it’s not that transition wasn’t a powerful and necessary process for them, but that after years and years of yearning for something that seemed impossible, they expected to feel fundamentally different once they had “crossed the threshold”. But the truth is, even after the process is over, you are still you. You may not have been previously recognized, or been allowed to fully express yourself, but the core person that you are has always been there. Any changes that have occurred along the way throughout the process will have been so gradually built up that they will be almost imperceptible to you, even if they have all built up to be something quite great.
On this past Saturday, I finally had my black belt test in Karate.
I have been training in martial arts for 25 years, and for over 20 of those years I’ve had my brown belt (the rank typically below black belt) in Shotokan Karate. I took martial arts training with the seriousness of a neurodivergent transfemme desperately trying to fill the bottomless pit in my heart with anything other than admitting the terrifying truth about my gender. But despite my rigorous training, and the incredibly harsh treatment I put upon my poor, tender, adolescent queer heart, I never felt “good enough”. My body never looked ‘right’, and my skills and physical abilities were never high-enough level. I was a fat kid, and martial arts training helped me to lose weight… culminating in me picking up an eating disorder in my later teens, that was itself only “addressed” by taking up bodybuilding.
In retrospect, it’s so obvious that this was an expression of unaddressed dysphoria, but at the time, I just felt like a perpetual failure – an underlying sense that I can see I have carried with me on some level ever since, even after transitioning. You become so used to feeling bad, that it becomes definitional to your sense of self. You and anything that comes from you, is, by default, not as good as somebody else.
I was ready for my black belt when I was 18. All I did was train – I didn’t go out, I didn’t see much of my friends, and dating was absolutely out of the question. All I cared about was training. But as the date of when my test would be approached, I got word that the curriculum was being changed. Trying to be humble, and not wanting to mess up on what I certainly would have viewed as the most important moment of my life up until that point, I decided not to test at that time, but I did go to the seminar at which the belt tests were being held, as would be necessary if I wanted to test later on. That’s how it works; you go to a seminar to train with the senior instructors, and if they approve, then six months later you can go to another seminar and test.
I went to the seminar and saw that the curriculum had been changed to something easier than what I had been practicing – it was more akin to what I had just done for my brown belt previously a few years before. I also saw that there were people testing for their Shodan (1st level black belt) and even their Nidan (2nd level) that I felt were not as good as I was. Whether or not this was actually the case, it is hard to say 20 years later – in my experience, teenagers often have an inflated sense of their abilities, and a sense of time and scale that lacks the perspective only age and experience can give. But nonetheless, this was a supremely disillusioning experience.
While I didn’t give up on martial arts as a whole, I did have reinforced in my mind my teenage sense that authorities were not to be trusted and institutional titles and recognition were largely meaningless.
I went away to university, and while I did continue to train on my own and with friends, I didn’t bother pursuing any kind of organized training with a dojo or put any thought to testing for a black belt I wasn’t even sure I believed in anymore. But everywhere I went, once my deep interest in martial arts inevitably came up, I would get the question of “What belt are you?“, and I would have to tell the above story that I quickly came to loathe having to tell people.
Worse still, I would frequently encounter people who would respond with something like “Oh neat! I got my 2nd degree black belt in Taekwondo when I was 12!” I don’t want to shade Taekwondo, because it actually has a very cool origin based in anti-imperialist resistance against the Japanese occupation of Korea, and there are many Taekwondo practitioners today with incredible skills, but modern Taekwondo has an even worse reputation than Karate for giving out black belts far too easily (any black belt you get at 12 really can’t be worth much). It would take all of my restraint to not undercut these people by telling them their black belts don’t mean jack shit, as I knew I would largely be just taking my own frustration and inadequacy out on them. It hurt seeing so many people have something so easily that I felt I couldn’t have myself.
Five years later, I graduated university (another meaningless title I didn’t really care about) and moved back home with my girlfriend to fix up an old sailboat. During that time, my old Karate teacher encouraged me to test for my Shodan, and since I was in even better physical shape with a much higher degree of ability than I was at 18, and, more importantly, I was so sick of telling the story of “why I don’t have my black belt“, I jumped into training with the goal of testing. I got approval to test from the local senior instructor and went to the next town over to train with him on a regular basis. As the date of the test approached, I started to experience a collection of symptoms, including severe (and I mean SEVERE) back pain at night. Despite their painfulness, the test was important enough to me that I shrugged the symptoms off as over-training and resolved to properly address them if they continued after the test.
The night before the test, my mom, my girlfriend, and I drove to the town it would be in and got a hotel room. But on the morning the seminar was to begin, I was informed by a very sheepish senior instructor that, after talking it over with the other senior instructors, they decided that I should have to wait for the next seminar in six months time, since I hadn’t technically done the whole “go to a seminar, and then test at the next one six months later”. I wanted to be humble, and not act entitled, so I swallowed my disappointment and continued with the seminar, resolved to finally test at the appointed time.
The thing is, those symptoms I had shrugged off as over-training, it turned out they were stage-IV cancer. The back pain? That was the cancer splitting my vertebrae apart from the inside!
The next year of my life revolved around a new challenge; battling cancer. I kept up what training I could, as the medical evidence showed that moderate exercise during cancer treatment improves treatment outcomes and quality of life. I got through lengthy chemo infusions and MRI scans by meditating – visualizing myself performing katas (patterns of movements that make up the curriculum of Karate) or defeating an impossible foe, such as my sensei. I had to go through four different treatment protocols over the course of a little over a year – 6 months of one type of chemotherapy, 3 months of another (worse) type of chemo, a bone marrow transplant (which involves a MASSIVE dose of chemo), and then a month of radiation. My strength and muscularity helped me to handle higher doses of chemo, so as soon as a treatment protocol was completed, I would immediately begin training to build myself back up in preparation for the next treatment. After all the treatments were complete, since there was no guarantee that my cancer was defeated for good, I set into training as hard as I could, achieving higher levels of physical ability than I ever had before.
During the course of dealing with cancer, I finally began grappling with my trans feelings – almost dying has a way of making you re-evaluate your life. In that time, I was on the verge of transitioning on more than one occasion, but it wasn’t until after moving to Thailand after beating cancer that I made the decision to finally go through with it.
I remember one night, riding my bicycle home across Phuket island after my regular Muay Thai training. Muay Thai is the kickboxing tradition of Thailand and it is the most respected striking-based martial arts discipline in modern combat sports due to the high amount of sparring and competition that has shaped the style’s techniques and training methods, keeping the style “live” and un-abstracted, unlike the way much of modern Karate has become. I learned so much about martial arts in my time in Thailand, and I loved the training I received at a community-oriented/non-tourist gym from my personal coach – who seemed hopeful that I might consider competing in the future. There are few better feelings than riding your bike home in the warm evening air after an exhilarating training session, but on my ride, I found myself trying out my female vocal practices I had engaged in during my previous furtive attempts at transition. I figured I had moved past such “frivolous” things, and I practically tried them out as proof of that. But I found in them an even more exciting joy than kicking pads in a grimy boxing ring with a private coach. Here I found myself in a beautiful place, with a cool job, in the best shape of my life, after just having beaten stage IV cancer – I should have been on top of the world, and yet, I still wasn’t happy. The choice was terrifying, but obvious.
Those next few years saw me training in a new way – trying to alleviate dysphoria and shape my body into a more ‘feminine’ form by melting away my hard-won muscles through lengthy cardio sessions performed on an empty stomach. This training, too, included martial arts, which took on a much greater relevance to me now that I was presenting as a woman, and as trans – one of the most hated minority groups in society.
I once again was presented with an opportunity to test for my Shodan, this time by my friend and head instructor at Kumakai – two of his students were preparing for their Shodans and he thought it might be nice if I finally did mine, too. I thought about it, but in addition to my previous experiences with testing, the experience of coming out as trans and challenging the patriarchal order of our society via snarky webcomics really had me in a mindset of not caring about authorities and institutions. So declined my friend’s offer, and largely turned my back on martial arts outside of occasional, casual workouts on my own for the next few years. As far as I was concerned, the #1 threat to my health was dysphoria, so I was mainly interested in training that would help alleviate that.
It wasn’t until 2021, when I was promoting my graphic novel, Coming Out Again, on a live-stream where I did some Karate moves, that I once again realized how important martial arts were to me. I trained for several months after that, in preparation to make a silly Power Rangers video that I had hoped might lead to some kind of Youtube career of building puppets and doing Karate moves. While I got into incredible shape, not too long after, I experienced increasing total body joint and muscle pain, stiffness, and numbness. I’ve written before about how I think this was caused by a combination of my stressful work as an online creator, returning to training after a period of relative inactivity, and going on ADHD medication known for causing muscle clenching and stiffness. But as simple of an explanation as that was, it wasn’t an easy process to reverse it. For a time, the pain and stiffness would only continue to get worse – I couldn’t even hold a pencil without pain – and I really thought that my life as I knew it was over.
One day, my partner wanted to cheer me up, so she put on Karate Combat, the current, most well-rounded full-contact striking-based league in combat sports. I was so inspired by what I saw that I remembered how I used to be – strong and vital. I missed the old me and didn’t want her to just wither away without a fight. I began doing just a little bit of training every day – 10 squats when I brushed my teeth, maybe a few kicks and punches during a Karate Combat match, before the pain would become too much.
I acted in a play near the end of 2022 – In My Day, which was about the AIDS crisis in 1980’s Vancouver. Working with this heavy material every day required something to ground me, so I started doing Karate on my lunch breaks, and before too long, also in the evening after rehearsal. The training built up more and more, the joint pain reduced, and my fitness improved, until about a year later, my friend, the head instructor at Kumakai, asked me if I would be interested in teaching with the club. They had taken over a large club out at UBC that would require more instructors to adequately cover all the students and give them the necessary amount of attention required for them to grow and progress. Early on in this process I decided that I would like to finally try testing for my Shodan, as I knew that having someone at the club training for their black belt would bring up the energy in class and help inspire and motivate the students.
But these things take time, even when they’ve already been a long time coming. It took a year and a half more of training to polish my skills – I had forgotten nearly all of my katas, and after training in Thailand and then so many years of more informal training on my own or in small groups, my way of moving was more like a kickboxer or Muay Thai fighter, which is fine, but not exactly what might be looked for on a Karate back belt test.
I gave myself many tests and challenges along the way. Punching out a candle. Punching a hole in a newspaper. Breaking boards. Repeatedly shoving my fingers into a bag of rice, then beans, then rocks. My Sumo wrestling training I’ve engaged in this year is also part of the test – Karate finds its roots in Shima, traditional Okinawan wrestling that is almost identical to Sumo, and I really feel this training has massively improved my fighting ability as well as my understanding of Karate. Probably about 3/4 of movements in katas are, in fact, wrestling moves, rather than strikes.
But then finally, after all of these years of struggles, tests, and training, I finally got my chance to test this past Saturday.
I really didn’t feel I was at my best. I was all banged up from Sumo training, which held my usually powerful kicks back in particular, and after the seminar was over, it became clear to me that my house guest staying with me that week had given me some kind of minor cold. I wasn’t able to do many things I had hoped I would be able to do on or before the test – my full side splits haven’t quite returned to where they were when I was younger, I haven’t worked up the courage to break four boards yet like I had planned to in my training (I really didn’t want to hurt my hand right before the test), and my best friend and usual sparring partner has been out of commission for the past several weeks with a back injury, so my sparring ability was not nearly as sharp as I had hoped it would be. But I knew I had to go into the test letting go of perfectionism. I needed to let go of my self-doubt and that sense that anything that comes from me is definitionally no good.
Despite whatever shortcomings I might feel I have in terms of my own high standards, I can say that I didn’t choke under pressure. I kept my composure and performed as well as I possibly could have.
Typically, a black belt represents that the student knows the basics of the style, and now the real training can begin. But this black belt, that has been so long coming for me, is so much more than that.
As I opened this piece with, this moment couldn’t really ever live up to all that pressure of 20 years of struggle and training. Did I really deserve this? Had I really trained enough in the last few months to polish everything up? Were my friends and colleagues just being nice to me when they signed the document awarding me my black belt? This same doubt has plagued me in everything I’ve done for most of my life. But while I felt these things briefly after receiving my belt, I definitely have felt a shift in myself. I feel as though a deep wound has been healed.
I told myself for years that I didn’t care about institutions, or titles, or recognition by authorities, but it is clear to me that I have been carrying a shame and stigma around ever since my teens. Much like transition, as long as this was unresolved, I was always going to be held back in life. As long as I had this hanging over my head, I was always going to, on some level, feel like I was no good, and that I couldn’t trust others.
While we shouldn’t define ourselves by the views of others, which we have no control over, being seen and recognized for who we are is vital to feeling safe and connected within our communities. I’ve carried anger around with me for 20 years towards those institutions who gate-kept me from being recognized. But much like how my relationship with cancer has changed from one of antagonism with the illness that nearly killed me, to gratitude to the crisis that caused me to re-evaluate my life and come out as trans, my feelings after this weekend have shifted from anger at being held back for 20 years, to gratitude that I got to receive my black belt (and the certificate for it, which carries my name) as my true self.
If I had gotten my black belt 20 years ago, it might have just been one more burden from my old life I wanted to be rid of. But now this time I got to be tested not by a cadre of old men who, frankly, I don’t have much respect for, but instead by my peers, all of whom I respect, admire, and love. This black belt means far more than any black belt that I could have gotten in my teens. I might view such a black belt today the same way I view those black belts given to 12 year olds. On my test, I even got to teach a real, bonafide Karate Combat fighter a thing or two about kata – he came up to me and asked me to teach him!
So what now?
For the second time in my life, I once again find myself feeling like that transfemme icon, Conan the Barbarian, after having completed the lifelong quest of vengeance that consumed and defined him, sitting on the steps of Thulsa Doom’s temple contemplating what he will be now that it is over. This test has occupied my mind on some level for decades, and the past several months in particular have been completely consumed by training. On days off from training I practically don’t know who I am.
I have no intention of stopping training, even as I know I have to return to doing other things in life (when was the last time you saw new art from me?), but the question remains: what for?
Well, first of all, I still have one more challenge on the horizon that I consider to be the final part of my black belt – the secret last boss to this period of training that comes only after you’ve completed the main game’s story (and only if you did it correctly).
The Powell Street Sumo Wrestling Competition is less than a week away as of my writing this, and I have signed up to compete in the “Competitive” bracket. I have no idea what to expect. My understanding is that some pretty powerful competitors sometimes show up to Powell Street, but you never know who actually will. If I’m being honest, I’ve been training harder for Powell street than I did for my Shodan – partially because of the excitement of live competition, and partially because my wrestling coach has recently been disrespected by his dojo to the point of him publicly resigning from the club. I feel so angry on his behalf and I want to win to show to these fools just what an incredible teacher they have so carelessly spurned!
I go back and forth about my chances of winning – there are some pretty big, strong, experienced grapplers out there. But I did win my last competition fairly easily, and I’ve been doing well in training, so… who knows? While, yes, I want to win for my coach and I want to prove that after all these years of training I might actually know something, the point of competing isn’t to win, it’s simply to do it. We have these life experiences and we take them seriously and sincerely simply for the sake of having a full and meaningful life. Whatever happens, the process of preparing for Powell Street has made my Karate stronger and my black belt more meaningful.
Kudo, the space helmet Karate
But beyond that, I had a new idea knocked into my head during my test. The final challenge on the test was a Bogu round with our head instructor. Bogu simply refers to protective gear, and historically has mostly been used in reference to the armour worn by Kendo practitioners. But sometime in the 1980’s, the Kyokushin Karate off-shoot, Daidojuku Karate, began using a form of bogu helmet to allow for full-contact strikes to the head while minimizing CTE, the bane of modern MMA fighters. In the 90’s, Daidojuku changed its name to Kudo (Karate + Judo), and while it still hasn’t received widespread popularity in the West due to the prevalence of MMA, it is massively popular in Russia and Japan, and it has become a robust and vibrant competition circuit that allows the martial artist to test themself in a full-contact environment with some amount of consideration for long-term health. There are people competing in Kudo into their 70’s!
I had a hell of a time fighting in that bogu round. Because of the space helmet protective gear, headbutts are allowed in Kudo, and so when Kyle headbutted me during our match, I headbutted him right back! The next day, my neck was sore from taking hard punches to the head, but I went to sleep that night with images and sensations from our fight swirling in my mind. Our club, Kumakai, is currently moving to become the primary Kudo representative on the West Coast in Canada, and I could easily see myself training to compete in Kudo in the very near future!
Like I said with Powell Street, competing isn’t for the sake of competing. It’s to test ourselves and have life experiences that make us stronger. The world is swiftly becoming a scarier place than it seemed to be a few years ago. I want to be able to use my many years of martial arts training to protect myself and my community, and to pass on those lessons that I learned from martial arts which allowed me to stand strong in myself and find out who I really am. Competition in something like Kudo is just the thing to test my skills and show myself that what I might teach the next generation of Transgender Karate-ka is actually based in something real, rather than the “because I said so” of some old man gatekeeping martial arts.
“Scorpion & Leopard Society” is the current working name for my new 2SLGBTQIA+ Karate club.
Which brings me to the final next thing on the horizon for me in the martial arts. Starting Monday, August 11th, I will be teaching Queer and Trans Karate classes at 6:30 PM at the 221a Arts Association on 825 Pacific Street in Vancouver.
No experience is needed, classes are free, and are open to anyone who self-identifies as trans or queer.
Martial arts is who I am, and I am beyond excited to being this next chapter in my journey, sharing my skills and experience with my community, which I can now fully feel like I can be seen by and participate within.
I originally came up with the concept for this week’s comic probably about 10 years ago, and while I have long kicked myself for leaving it on my massive pile of unfinished projects and unrealized ideas, I am thankful that I never published it before now.
When I first wrote it, this comic was, in my mind, about feminism. It’s commentary was meant to be something about the asinine misogynist line of “Well if women want equal rights, does that mean we get to hit them now?” (barf)
Not to explain my own punchline here, but the whole idea hinges around the proportionality of a threat. In the view of any reasonable person, and, y’know, also, like, the law (supposedly), any kind of abuse, spousal or otherwise, is always wrong, regardless of the gender of the person committing it, and the only acceptable use of violence is in self-defense, when you feel that your life, or the life of another, is under threat.
Get yourself a girl who can do the Dim Mak
So, if you are 6’2″ and 250 lbs, and your 5’2″ 120 lb girlfriend hits you because she’s mad at you, while it does sound like you may be in a toxic relationship dynamic, unless she is some kind of kung-fu master of the dim mak, can you really say that your life was in endangered by her hitting you enough for you to hit her back? Can you really claim that you would be acting in self-defense? Now, if your partner is a pro MMA fighter, regardless of if you weigh anything close to her weight, you may be under real threat of being harmed should you suffer abuse by her, and you may need to resort to some form of violent resistance just to survive her onslaught.
In any case, arguing whether or not roughly half of humans deserve equal rights around how you think it’s acceptable to hit your spouse pretty much just proves the point of why women need and deserve equal rights. The whole argument is asinine in the end, for to even entertain such a ridiculous sexist statement with a counter-argument is just giving too much oxygen to trash that isn’t worth anyone’s time.
But that’s just it…
Why are we giving so much oxygen to nonsense in public discussions?
At foremost in my mind today is the continual insistence of Israel’s “Right to Defend Itself” as counter to any admonishments of its war crimes and genocidal actions. Any condemnation of Israel’s actions brings the demand that you condemn Hamas, or to invoke October 7th as a justification, or swear that you affirm Israel’s right to defend itself.
Looking at the situation through the lens of the comic, how does the dynamic between Israel and Gaza stack up? Who has the potential to present the greater threat to the other?
Israel is a nuclear armed nation that gets hundreds of billions of dollars every year in weapons and military aid from the United States, Canada, the UK, Germany, and many other Western nations. This includes top of the line missiles, drones, fighter jets, weapons, and sniper scopes. Their air force budget alone is so massive that, if they had to pay for it themselves, it would take up all of their education, health, and social programs spending combined. Israel could not function as it currently does without massive foreign subsidy. That’s why protesters in Western countries focus on criticizing Israel over other repressive regimes around the world – our tax dollars are funding this apartheid and genocide, so conceivably we might actually be able to influence our own governments to put a stop to it. Short of going to war, what pressure could we put on Iran or North Korea that isn’t already being done?
But I digress.
Israel uses this massive defense spending to control every single border crossing into Gaza, and to hammer its people with more bombs in the last 20 months than were dropped in all of the Vietnam War (which was itself more than in all of World War II). By the way, we are talking about a strip of land roughly the size of New Jersey.
What does Hamas get? Well, they do have backers from around the Arab world. But since Israel controls every border crossing, there’s not a lot of material aid that can get into the area. Israel bans the entry of all construction materials and anything they say could conceivably be used to manufacture explosives – including cruel and ridiculous items like toys, candy, and sugar (wouldn’t want children to have any joy! They could make bombs out of it!) Virtually all of the explosives and rockets that Hamas and the Al-qassam brigade launch against the IOF and targets in Israel, are themselves unexploded ordinances that Israel launched into Gaza.
They are literally lobbing the scraps of Israel’s own genocidal bombing campaigns back at them.
What else can they do to defend themselves?
“But Hamas started it on October 7th!”
OK, so even if you ignore the fact that the Al-Aqsa Flood was the action of a generation of orphaned youths from previous Israeli bombing campaigns who had lived their entire lives in an open air prison, watching their people be slowly extinguished, if you ignore that the destruction of Palestine and its people has been an ongoing process of almost 80 years that has culminated in an apartheid system which persecutes and disenfranchises Palestinians in an effort to drive them out so Israel can occupy the entire region, and if you ignore that the Israeli government has intentionally empowered Hamas over the past 20 years so that they could have a more belligerent adversary in Gaza that they could use as an excuse for military actions – even if you ignore all that, these children on dirt bikes and kites managed to sneak through the concentration camp walls – past what is supposed to be one of the most powerful and expensive militaries in the world – and killed somewhere around 1000 people (about 200 of the 1,200 Israeli death toll that day were killed by the Israeli military in its clumsy counter attacks) and took about 200 people hostage.
I’ll do my due-duty here and condemn the killing of civilians. That’s not cool. I’m never going to say that is a good thing to do.
But I also can’t really get too worked up about this in the face of the death toll of Israel’s response, which has lasted almost two years, encompassed more bombs than the entire Vietnam war, destroyed every single university and almost every hospital in Gaza, and killed what any honest estimates put at well above 100,000 people. The low-end estimates of the children killed in Gaza alone is above 16,000. Almost 15x the total death toll of October 7th. The highest cohort of killed children? 6-12 year olds – can’t run as fast as adults, but too big to carry. This is to say nothing of the massive number of wounded, the psychologically scarred (can you imagine losing your entire family? or digging mutilated children out of rubble?), and the long-term poisoning of the land by chemical weapons and depleted uranium bullets (babies are being born without brains in Gaza now!)
So even if (and that’s a pretty big if), you give everything to Israel, and grant that this whole conflict started with Hamas’ aggression on October 7th, and totally wasn’t at all a provoked revolt against the keepers of a concentration camp, it seems as though Israel has paid back retribution in spades (can you say over 100 to 1 dead?) With their massive power imbalance, can what they’re doing be in any way reasonably called “self-defense”?
By the way, none of this even mentions the starvation of Gaza being enacted right now by Israel’s blockade on the region, or of their occupation in the West Bank, OR of the apartheid system within Israel proper, in which Arab-Israeli citizens are second class citizens. OR of their frequent invasions into Syria and Lebanon.
How does any of that fit into “self-defense”?
Of course, defenders of Israel will say that if Israel doesn’t do all of these terrible things to all of their neighbors and to their own citizens, then they will become the victims of a genocide by the surrounding Arab nations. They will say that protestors calling for the end of the occupation and destruction of Gaza, of the apartheid system in Israel and the West Bank, and for Israel to become a true democracy with equal laws and representation for all people living there, Jew and non-Jew alike, they will say calling for all that is somehow a call for the destruction of all Jews. This is extremely similar to what the White Afrikaners in South Africa said during the global campaign against their apartheid regime. Aside from the fact that this did not happen to the White Afrikaners (despite what Donald Trump, Elon Musk, and Grok might say), to do an evil thing, and then justify the doing of the evil thing by saying you fear the consequences of having done the evil thing, is not self-defense. It is cry-bullying, and we live in an exceptional era for it (future blog post on that to come). No person rallying for Palestine is calling for the destruction of Jews in Israel (or anywhere) – a great many of them are Jews themselves, and many more are members of persecuted minorities who know first-hand the pain and terror of ethnic cleansing. These people are simply calling for justice, for international law to be upheld, and for an end to senseless violence.
In traditional Okinawan Karate, one was not ever meant to use their karate in violence. The true purpose of karate training was to strengthen one’s body and one’s moral character, so that they could confidently approach any situation in the spirit of non-violence. Even should the other party assail them with blows, they would not resort to using the incredible violence that they were capable of, and their strong bodies would be able to withstand the attack until they can convince the other party to stop and be reasonable. Many, more modern martial arts masters have affirmed that, should they be robbed by a mugger, they would willingly give them their wallet, as there is nothing within it that is worth doing another person harm.
To be truly strong is to be in a position to show kindness and patience. To resort to violence is to lose control of a situation or to succumb to fear, anger, or selfishness.
True self-defense can never involve retribution for the sake of inflicting punishment, and it can never include gratuitous violence. What Israel is doing is no more self-defense than punching a toddler who slaps you in a tantrum. They hold this population in the palm of their hand, and any violence that occurs in this situation is ultimately on them.
What is amazing is just how resilient the Palestinian people are. Though, that they have to be is a failure on our part. This isn’t something they trained for, it’s something that was foisted upon them by people in foreign lands.
Maybe they will be resilient enough to withstand Israel’s blows until they are willing to be reasonable and work for mutual justice, rather than greed and domination?
One can only hope. (And protest, and fund raise, and have difficult conversations, and
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I honestly can’t remember if I ever posted this comic before. As I’ve written before, I have so many comics that I’ve done and then just sat on, I can’t always keep track of what’s been put where.
Yeah… I could have checked if I posted it anywhere, but…. nah.
Luckily, greed and evil are evergreen content!
During this time of terror and uncertainty in the face of rising fascism in the United States and their Genocide Colony, Israel, so many people are hurting and in need of help. And yet, the priority of the US government this week has been to cut healthcare not just to over 150,000 transgender Americans explicitly, but also to countless others on Medicare and Medicaid, all in service of further cutting taxes for the wealthiest people and corporations on Earth. This is just one further step towards their goal of creating a society based entirely around the power of the wealthy (truly, we’ve been there for a long time, but now they’re just dabbing on us).
Any time you protest or complain or ask for help in the face of any of our society’s cruel policies, you are admonished for failing to live up to their standard of how a human being should live:
“How could you be so irresponsible?“
“Why don’t you work harder?“
“You should have gotten an education.“
or better yet
“You shouldn’t have wasted money on that education!“
Their answer to how people should live their lives, how society should be structured, and what should be valued within a person’s accomplishments, always just so happens to align with what benefits them. Money always ends up being of prime importance, as well as “personal responsibility” and “work ethic” – always in service to those who just so happen to have the money to pay you.
As if they are so good with money! Donald Trump himself has gone bankrupt, like, five times, and let’s not forget the 2008 market crash that resulted in the biggest banks on Earth getting bailed out by the Obama government.
I frequently think of the Kurosawa film, Rashomon, and the short story it was based on, In a Bamboo Grove, which details the investigation of a murder and the questioning of all of those involved. The main takeaway of the story: Everyone lies. From the suspect, to the witnesses, to even the victim (as channeled by a spiritual medium). Everybody tells a version of events, whether they mean to or not, that just so happens to align with their interests. When we’re talking about an individual in their day to day life, this really doesn’t matter too much, most of the time. But if you have a disproportionate amount of wealth and power and your decisions and actions have profound, sweeping consequences for millions of people, yeah, it kinda matters if you are being truthful with yourself and others and whether your guiding beliefs are rooted in something resembling reality.
These Silicon Valley psychos take mushrooms or go on a yoga retreat and then become zealots for “Longtermerism” or “Effective Altruism” or whatever anti-human philosophy they latch onto to justify why they deserve their position in society and why they don’t have to feel bad about anything they do. Spiritual experiences, whether pharmacologically facilitated or not, can be quite profound, but it is vitally important to not just allow yourself to be swept away by whatever it is you want to hear. To be of any value, any kind of spiritual or philosophical pursuit requires a practice of honest and emotionally mature inquiry into one’s own thoughts and behaviors. It requires self-reflection and a willingness toward self-critique. If all you’ve ever done is solve your problems with money, if all you have to do is pay people and they will do whatever you ask of them, if everybody around you will always tell you what you want to hear because you hold the power of life and death over them, then how likely do you think it is that such a person would be in the habit of genuine self-reflection?
Because, no, the people in charge of all of our lives don’t care about honesty or truth or what is actually good for anybody. They just want to keep on being rich, and keep feeling good about being rich, even as the world burns around them.
The same goes for any oppressor authority.
Cis people would believe in the validity of cis genders, but not trans ones, wouldn’t they?
Straight people would believe in the validity of heterosexuality over homosexuality.
Men would believe in the primacy of “males” over “females”.
White people would believe in the supremacy of their race over all others.
This, of course, is not to say that every member of any such group believes such things. But any time a member of such a group believes such a thing and demands that you do, too, well…
How. Convenient. For. You.
The good news is we can nakedly see the invalidity of their values. The society they’ve built and demand we toil and die for serves virtually nobody. The wicked deeds they do become increasingly obvious and demented.
Ah yes, my favourite philosopher, “The Matrix” lol
One of the values of growing up trans is having a sense from my earliest memories that there was something wrong with how everything was organized – no matter what lies they told me to justify things being how they are, I had an intrinsic sense within myself that this was all bullshit. Seeing events fairly early on, like the invasions of Afghanistan and Iraq, and then later the 2008 market crash, only solidified the sense that this order was built on evil.
I imagine the kids growing up today seeing the likes of Donald Trump and all his evil friends stripping the USA for copper wire, and the ghouls in Israel hiding behind the Holocaust to get away with doing a Holocaust of their own (all with the support of the politicians of the west) really only undermines their faith in the societal order even further. But with the rise of Right Wing Zoomers and the embrace of a kind of ruthless, cynical grifter culture based in generative AI and online dropshipping, I fear that the cultural undermining has gone too far and in an unhelpful direction. If people lose too much hope and belief in society, then they become truly just for themselves. They might not believe in the fairy tales of work ethic and toiling for a rich old man, but they also don’t believe in helping anybody besides themselves. This, too, is a kind of self-serving lie. One perhaps built out of fear, and a need to survive in an increasingly non-functional and contradictory system.
It frankly seems all too inevitable, sadly.
I’m reminded of being a kid in highschool, seeing the cracks in the authority of the flawed human beings in charge of my life for six hours a day, the dysfunction of the class room, the pointlessness of activities that were demanded we take seriously, and the kids who were getting away with bullying and misbehaving while others were arbitrarily singled out for punishment for far lesser offenses, and I remember just… checking out. Not caring about any of it anymore and just doing whatever I wanted to. None of it seemed to matter, so why waste a single bit of energy following the rules? Why be invested in the validity of this institution that claimed total control over years and years of my life?
A certain amount of this is very healthy and necessary. Don’t waste your life being trapped in some horrible person’s self-serving fiction of how the world works, toiling in a system that benefits them, but not you! But don’t replace that fiction with another selfish fiction that just so happens to tell you whatever you want to hear.
Left Wing ideas about socialist programs are depicted as lazy people who want free hand outs, but the truth is, it’s not about getting free stuff, it’s about getting the stuff that you have already earned, but currently goes to others who did absolutely nothing to earn it. Creating a truly equitable society would require that we as a society take a painful look at many of the things we value and whether or not they actually serve human flourishing – like, say, the right to own as many homes as you can afford to buy or the right to reap the benefits from other people’s labor because you own the business they need to work at in order to survive. We’ll have to let go of comforting myths of personal exceptionalism and accept the fact that nobody accomplishes anything truly on their own. If you have any aspirations of being above others, or if you are invested in yourself as being exceptional and deserving of more than other people, well, you’re going to have to let go of that if you want to make a better world. Many people online who fancy themselves as Left Wing activists are sadly still invested in a self-serving lie of personal branding and celebrity. Their activism is really about them and their own personal success rather than whatever cause they claim to champion. If you want to make real change, you’re gonna have to let go of that soothing lie you tell about yourself. That you are better than others, that you deserve to have more than them.
I am somebody who is never not working hard in my life, and I have accomplished a great many things in my close to 38 years on this planet. But I constantly fight against any impulse that I deserve anything more than others, or that the things I have are entirely because of my own efforts. Everything I have is because of the kindness of others. Whether it’s my supporters on Patreon, or the love and support of my wife, or the publicly funded healthcare system that saved me from cancer, or my parents who read to me from a young age and opened up my imagination, any opportunity I have had to work hard and have my hard work pay off is an immense privilege that has been gifted to me by the hard work and generosity of others.
It would be nice if others in our society who have benefited even more greatly from the work of others would be willing to take a look in the mirror and recognize that.
So next time some authority demands that you adhere to their values and their view of how the world works, just think: How convenient for you.
Don’t spend your life trapped inside the limitations of someone else’s mind.
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Well, I won! I took home the big bag of rice from the 2025 Vancouver Spring Sumo Basho!
All of my three whole weeks of training paid off! I couldn’t have done it without the help and support of my coach, Sony, over at Praxis Grappling, and the Kensington Judo boys, as well as the loving support of my wonderful wife, and the help and support of my best friend and long-time training partner, Jazz.
My division – the “Heavy Lightweights” – was pretty stacked. I was up against the former champion (who is also head of the Vancouver Sumo Club), a co-facilitator of the sumo club (who is also a skilled judoka), and the wife of the head of the Rain City Sumo Club from Seattle (who was a total powerhouse!!) But I swept the division without a single defeat across multiple matches against each opponent! (although, I had one draw in my very first match, which was against my Seattle opponent, but which resulted in a rematch that I handily won)
Thank you, Aaron sensei, for bringing Uechi Sanchin to our club and to my practice!
Truthfully, I didn’t feel like I had to work very hard. While I competed under the name of “Buff Aunt Bria”, and made a big show of flexing my muscles, I came into this competition not wanting to win by strength, which I don’t think would have even worked against my opponent from Seattle. So I wasn’t charging and pushing super hard the way my opponents were. I focused on using a solid stance and posture, taken largely from the Uechi-ryu Sanchin kata that we teach at Kumakai, and combined it with tai chi push hands skills to neutralize my opponents’ awesome force and keep them from controlling my hips, shoulders, and elbows. In the end, they practically threw themselves by their own efforts to unbalance me. There were a couple of times where I had back to back matches, and I was asked if I needed a moment to catch my breath. I did not, as I wasn’t pushing and struggling the way everyone else was.
Many, many people came up to congratulate me and compliment me on my martial arts skills. My favourite by far was the elderly Japanese woman who emphatically told me she loved watching my “fighting spirit”. So, evidently, my performance seemed impressive to observers. Sweeping a stacked division without a single defeat in a sport I was competing in for the very first time after three weeks of preparation? Not too bad!
And yet, I wasn’t happy.
While I did win all of my matches, I didn’t have the time or wherewithal to use any of the techniques I had been drilling. I had been focusing on hitting single leg takedowns, foot sweeps, using arm drags to get to side control and pick my opponents up, and even fireman’s carry throws – all things that I had hit in sparring against larger, more powerful judoka. But I didn’t get even close to using any of that in the competition, primarily because people were pushing and charging too violently for my competition-noob brain to process how to enact my plan. My mistake was, because I had heard that strong judoka may show up to the competition, I primarily trained against judo. But a judoka wrestles much differently from a sumo specialist. They will be much more technical, trying to get grips and set up takedowns, instead of the power charge of forward momentum that is favoured by the rule-set of sumo.
So, despite my win, I couldn’t help but feel disappointed in myself.
In my melancholy, I was reminded of an episode of the fighting anime, Kengan Ashura. The villain, Kanoh Agito, a musclebound powerhouse who was heavily favoured to win the series’ titular tournament, is as skilled as he is proud, and so he insists that he be capable of beating his opponents at their own game, rather than doing the actual thing you typically must do in fighting, which is to employ a suitable strategy to disrupt your opponent’s strengths and fight them where they are weakest. In his match against the god-like Thai Boxing champion, Kaolan Wongsawat, Agito is unable to out-box his opponent, and is forced to beat him by countering his style with grappling. After his victory against such a legendary opponent, as soon as he is alone, this hard, fearsome man who under most circumstances shows almost no emotion and is regarded as a god of violence by virtually everyone around him, begins to cry. He starts beating up on himself for his inability to win the way he thought he “should have”.
There’s no way two different fortune-telling methods put together could be wrong!
I thought of this big, evil beefus having a little tantrum at himself over such a silly, prideful reason, and my feelings of inadequacy started to melt away. I remembered all of the things I have laid out in this post so far and decided to stop being so hard on myself. As a fortune cookie fortune that I keep on my altar alongside my Tarot cards told me “No one is happy who does not think himself so.” My feelings about my performance are entirely up to me – especially if my misgivings are entirely about not “winning the right way”. I could sit and stew and beat myself up, or I can feel proud of my effort, analyze my performance, and begin work to figure out how to accomplish whatever it is I would like to try doing next time.
Truly, though, in grappling, as in life, you don’t actually get to call the shots. You can’t go into a match and say “I’m going to hit a fireman’s carry throw on this person”. Like, maybe, if the situation arises. Grappling is about receiving an opponent’s energy and taking it where it wants to go. You don’t throw them, they throw themselves. My real failure wasn’t in not being skilled enough to do the techniques I had planned, it was in my hubris of believing that was even in my control in the first place.
I’m gonna keep this win-train going, babyyyyy(apologies for Trump-inclusion)
I was sore the next day after the tournament, but less so because of the tournament itself, and more because of the workout I did that night after. I immediately began training for the next one! The Powell Street Festival is in August, and they have a sumo tournament there, as well. I’ve heard even stronger opponents often show up to that one! A little over two months of preparation is a lot more than three weeks, and I’m excited to see what I could do if I apply myself over a longer period of time. The only hiccup is that I also must be training for my Shodan (black belt) exam in August as well, which will call for a very different skill-set than sumo. If I want to balance these two somewhat contradictory training protocols, I’m going to have to think about employing a different strategy in the August tournament. Either way, I’m excited to test myself further in competition, and after competing in sumo once more, I would like to try out other competitions, like judo, karate, kickboxing, and eventually, kudo – a full-contact MMA-like competition circuit that primarily consists of a combination of judo and karate (hence the name, kudo) and that our karate club is moving towards being affiliated with.
Kudo is known for it’s specialized protective headgear. But that’s expensive. So I opted for the TEMU-DO headgear!
Finally, of all the things I have to be proud of in my first real tournament experience, I am most proud of this:
I made this art for my coach, Sony, who I had heard is a big fan of 90’s comics. If you ever go train at Kensington Judo (and I highly recommend that you do), you may just see it framed and hanging on the wall. I planned the composition out digitally and then used my new projector I had been gifted to transfer it to paper by tracing the projected image in blue pencil, before finishing the art in ink.
I’m showing this partially because, I gotta be real, I need money.
Training this much has really taken my focus away from work, and I have basically a week to make rent. Yes, you can tip me on Ko-fi, support me on Patreon, or donate directly to my Paypal, but really, what I would like best is to make some more art for people!
Would you like some art from me? Please let me draw something for you!
I can do you something like I did for Coach Sony for $150 (either digital or as physical art). Or a simple headshot for $20. I’ll make more posts about opportunities to get art from me, but if you are interested, please e-mail me at lifeofbria at gmail.com, and we can get going right away!
Please help me keep this Win Train going by helping me find a bit more Work/Training balance in my life!
Just living your life the way you want it to be is winning – and you must pursue this goal relentlessly!