Everything is TV/Computer/Phone Now

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I’ll open this post with another of my wife’s cartoons she made, admittedly, a few weeks ago. Not only do I enjoy supporting her artistic endeavors, but I can tell a degree of her making cartoons is an effort to inspire me to return to my own cartoon practice. Maybe I’ll comment on that later…

My wife and I are both avid Hasan Piker fans – so, you know, antisemitic terrorists that hate America (I mean, that last part is right). I have a hard time believing that somebody who reads this blog wouldn’t know who Hasan is, but if you don’t, Hasan is a Twitch streamer who comments on politics from a “Left” perspective, and he has recently become the #1 scapegoat in the crosshairs of American media and politics, due to his advocating for the rights of Palestinians to his large audience – hence the smear against Hasan and anyone who watches him as being “antisemitic”. For the last few weeks, everywhere you look on American news has been daily obsessive condemnations of Hasan and hyper-fixations on every statement he makes, all spun in the least charitable way possible – with him recently apparently being subpoenaed by the US government. In a testament to just how far popular opinion has shifted in favor of the Palestinians, the efforts to toxify Hasan’s name have largely backfired, and multiple political candidates backed by Hasan who espouse policies like those he professes on-stream have experienced significant bumps in popularity due to their associating with Hasan and the amplification of their visibility by the media’s fixation on him. The obsession has gone so far that, in routine Zionist fashion, literal, actual neo-nazis and far right figures who speak literal, actual antisemitism are framed by the media and organizations like the Anti-Defamation League as being less of a danger than the man who advocates for an end to genocide, and for a formation of a truly democratic society in the Levant, with equal rights for all people living there. Not to make too much out of a media figure, but they do this because a popular figure who espouses such views to a large audience is more of a danger to both settler-colonialism and capitalism in Israel and the West, than an actual nazi could ever be.

Hasan was actually talking on stream the other day about how in 2016, after Donald Trump was elected the first time, people were so hopeless and scared and didn’t know what to do to effect actual change in the real world, that they turned inward and began the “Golden Age of Woke”, where the primary vector of political and cultural criticism became that of media. While the media criticism tweet thread or video essay were both well-established art-forms before 2016, they truly took off as people increasingly felt the need for change to the social order, but didn’t see any option for real change as long as ” that Orange-Cheetoh-Hitler-Palpatine in the White House” seemingly held all the cards. TV shows, movies, and video games were obsessively dissected and critiqued for their success or failure at intersectionality in writing and casting. A person’s true character would be revealed by their media consumption, and cancellation of TV shows began to extend to cancellation of people, and the hen-pecking/crab bucketing of our peers over social media joined our scapegoating of traditional media to placate our impotent rage against oppression. After 2020 turned more and more people even further inward still, and the major sources of entertainment for most people became streamers and content creators on video platforms, this pattern is playing out again 10 years later; it’s 2026, Donald Trump is president again, people feel even more hopeless now, and they are turning to obsessively criticizing their new primary modes of entertainment: streamers and social media personalities.

My wife said something to me the other day as we were discussing the dramatic ups and downs of American politics, and I mused if whether they weren’t being scripted to some degree, to lead people by their emotions from one place to another, paralyzing them and preventing them from acting to effect real change.

She saidNo. I think Americans ARE television. Their politics looks like a TV show because all anyone does is watch TV and talk about TV, and so their culture is TV, so they are TV, and so their politicians are TV.

Our worldview shapes which actions we believe are available to us, and we act out the narratives laid out for us by our cultural frameworks. If all you do is watch TV and movies and consume “reality” processed through the distorting lens of media, you might think that what you see on the screen is the only way for a person to look and act. How distorted is most people’s body image by advertising? What erroneous beliefs do people pick up from the news about those different from them? How are our views about what makes a “real” man or woman shaped by stories supposedly about people’s lives? What do we think “success” looks like, based on images presented to us by corporations that just so happen to also be trying to sell us things? What actions do we believe are available to us, based on what is presented as “legitimate protest” by the “legitimate authorities”?

Whether or not it is some intentional conspiracy to control us, or a selection process of competing media strategies by various self-interested actors vying for influence in a marketplace, I do think we in the West have, to varying degrees, all become TV in how we see and understand the world. And I do think our time honored practice of yelling at the jackass on TV we disagree with has fully invaded our social lives in the real world, as well. I have noticed in recent years that people are far more likely to jump to conclusions, have extreme reactions to things, and to write other people off, including their friends, at the drop of a hat. And now as more and more people make a living as “content creators”, the invasion and suffusion is total. I had a conflict with a friend the other day over text, and while we were still in the middle of hashing it out, I saw her posting videos on her timeline referencing it (without naming me). Like, girl, could you at least wait for the situation to conclude before you start cutting content about it? (Now it’s fair – you cut 1 content, I cut 1 content). We worked it out, it’s chill. But it frequently isn’t, and the friend breakups of today frequently take the form of timeline crashouts and call-out videos. How many of these conflicts are wholly unnecessary, and are spurred on by our modelling of behaviors found in toxic media tropes? We act in the ways we have learned it is appropriate to act, and increasingly that has been shaped by people who live their entire lives performing every interaction in front of an audience.

I’ve been in this line of work in “online media” for 11 years at this point. I’ve experienced many different upturns in my relatively modest popularity, almost always tied to a comic or post of mine that “went viral”. With those upturns in notoriety, always came an upswing in hatred and harassment, pretty much always transphobic in nature – any point of vulnerability you possess will be seized upon by the angry mob looking to offload their frustration onto somebody. I’ve had whole forums on wretched places like Kiwi Farms dedicated to stalking and harassing me – never to the extent that many others I know have received, but I’ve certainly weathered my share of hate storms and comment raids.

In my experience, the things that go viral are never something that you put a lot of effort into. They’re not some expression of artistic passion, nor are they a good example of what the poster really cares about or is interested in. They are typically simple, inflammatory, and surprising. They need to be easily digestible by broad cross-sections of people, they need to provoke some kind of emotional response – positive or negative – and they need to catch the audience off-guard in a way that makes them think in that moment “I need to share this”. The comics and art I have put the most effort into and felt was my strongest work will often be outperformed by the ones I don’t care much about or put much effort into. All that matters is that a post hit those three things, and it will be shared widely, regardless of its overall quality otherwise.

Much of my own past few weeks have been dominated by the stupidest, most low effort thing I’ve ever made going more viral than almost anything else I’ve made, bringing with it a much larger hate storm than I’ve experienced in many years.

Anyone who knows me or who reads this blog knows I have turned my lifelong love of martial arts and my dedication to community work to starting up my free Karate classes in the Vancouver area for LGBTQ people. Our club has become extremely vibrant in recent months, almost entirely due to the grassroots organizing in the real world of my incredible volunteer event organizers. We do have some students who have arrived to us via our social media presence, but the vast majority have come from real world connections, which I think is great. But having an online presence is an important part of building up an organization and showing prospective students and partnerships that you are serious and that you have some force of community behind you, so I’ve taken it upon myself to make content advertising our club on my Instagram – a platform I haven’t really used much throughout my online career. Instagram seemed safe for our little club as it was my smallest platform where the baggage of my comics career wasn’t very present.

A few months ago I slapped together a less than 10 second long meme video made from a clip from the 2006 comedy film, “Foot Fist Way“, starring Danny McBride.

Unwittingly, I have unleashed hell upon myself by insulting insecure men’s emotional support martial art, while hitting those three metrics of viral-bility. I mean, *I * didn’t say anything at all. The character played by actor/comedian Danny McBride said that jujutsu sucked. The point of the scene is that he is an intellectually lazy charlatan who only cares about convincing this young woman to join his shitty Taekwondo school. At the time of the film’s making, jujutsu was ascendant in MMA, while Taekwondo was a joke in the combat sports community due to non-contact sport sparring and low standards for giving out black belts. The joke is that this woman would be better off taking jujutsu. Today, 20 years later, jujutsu is losing effectiveness in MMA, as fighters figure out how to counter groundwork by standing up and punching, while Karate and Taekwondo are both enjoying full-contact revivals. You definitely need to engage with the reality of ground game if you want to be an effective fighter today, but gone are the days where just knowing some BJJ was enough to dominate.

But that’s beside the point. Many of these so-called martial arts fans have apparently never seen this movie, and the caricature of trans women they hold in their minds causes them to immediately assume that I am, in fact, Danny McBride, and that’s literally me in the video saying that jujutsu sucks – as though a visit to my profile wouldn’t show them endless videos with my face in them.

I made the video because it seemed funny. It was posted to a small account, and I didn’t think it would go anywhere. It was pretty much just for fun.

WRONG.

NO.

BAD!

CLEARLY I made it to insult the universally superior martial art that is Brazilian Jiuitsu. CLEARLY I wanted it to go viral by being shared by legions of angry men typing slurs at me. And CLEARLY this video is a total representation of what I do on this Earth and what I care about in life.

There was some brief concern by the venue that hosts our class that this hate might carry over to them, and possibly result in some real world harassment or danger, but so far all anyone seems content to do is write a mean comment or message directly at me and then move on. All we are now is yell at TV, or in this case, phone.

While the video continues to attract a lot of hate, it also just generally boosts my Instagram in the algorithm, and numerous people who come for the viral clip, stay for the real martial arts content I post. So it’s not all bad. But it is frustrating. Why can’t the things that I actually care about and try at receive attention and success?

I will admit, this sort of thing actually does demotivate me from making art and especially returning to comics. There are times where I feel like I hate comics, and the very idea of drawing a comic makes me feel angry. But I also know that there is a core of me that truly wants to return. I still have a spark of playfulness inside me, and I do still love to tell stories. I will freely admit that I believe I’m just emotionally blocked – there is something inside me that is preventing me from engaging with the vulnerability required to tell stories about real, fleshed out characters. I feel alienated from humanity – because of the state of the world, because of events like this stupid viral video, because of being trans and carrying anger about gender from a young age – but to truly tell a story requires that you have some connection to the shared humanity of all people. Doing things like volunteering and teaching my karate class and sharing my other art with people are all helping me reconnect with genuine love for my fellow human beings.

I still believe that I will return to telling stories.

Buff Aunt Bria’s Fighting Spirit

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I won the Fighting Spirit Award!

There are moments you build up in your mind that can never live up to the image in your head, and then there are moments that loom so large in your mind that you don’t know what to do with yourself once they are over. Things that occupy your every waking thought and action for such a long time that coming back to the rest of reality after they’ve past leaves you directionless. Moments that, as large as they are, are over almost before they’ve even began and before you can process them, and so it’s hard to even process that the moment has passed. You’re still there – either because you’re still wanting more and don’t know how to let go, or because the moment has changed you into something new, and now the reality you have returned to must itself be changed to fit the new you.

I didn’t take first place at the Powell Street Sumo Competition. I went into it “wanting to win” in the sense that I wanted to sincerely try my hardest. I didn’t want to give in at the first sign of tough resistance or choke in a key moment, and I can say that I didn’t do either of those things. But I didn’t *really* expect to win. I, a relative upstart in sumo, with a whole 4 months of serious grappling training couldn’t *really* think I could win multiple rounds against larger, stronger, more experienced competitors without enduring a single loss.

That’s the thing about sumo: it’s over in an instant. If anything other than the soles of your feet touches the ground, you’re out. One hand, one knee, the top of one foot, and you’re out. Not to mention that ring is not very big – it only takes a few steps back and you’re at the edge, and before you know it, you’re out.

An entire Summer of training. Doing 3 to 4 different training sessions a day, often with a nap in between. Pushing myself harder than ever before and achieving new abilities I can safely say I’ve never possessed, all backed up by my incredible coach, Sony Sahota of Praxis Gym, some awesome training partners, so many wonderful friends, and, of course, my beautiful and ever-supportive wife. I basically got to play at being a professional athlete this Summer, and I truly feel like this has been one of the greatest Summers of my life.

And in an instant it was all over.

Poor Miele keeps getting matched up with me. Thanks to cartoonist, James Lloyd, for snapping this photo!

My first match was against an opponent I had faced back in the Spring. A skilled grappler who, granted, is a little smaller than me, and but is also long-time member of the Sumo Sundays Club. But my single-leg takedown game was just too polished this Summer, and in the blink of an eye, I seized an opportunity to snatch up their leg and then it was all over.

But my next match, well, that was up against the previous winner of the “Super Heavyweight” division at the Spring Basho, so I, uh, hehe, couldn’t move him even an inch. Before I could find a moment to snatch up his leg, or even get my bearings, he had pushed me to the edge of the ring and I came down on my back – pulling him with me, but that makes no difference in sumo.

I am glad to say that my disappointment was only momentary. Even before I found out at the end of the competition that I would win the “Fighting Spirit” award, I knew I wrestled my best and stuck to my game plan and proved that my had training paid off. When I lost, it was clear that no amount of training I could have done in that time period could have allowed me to go all the way and take first place this year. The competitor who won really deserved it. He’s the head of the Sumo Tigers team here in the city and he’s been training hard to win Powell Street for a good 5 or 6 years. As strong as I am and as experienced as I am in other martial arts, and as much as I was living and breathing training this Summer, someone like me isn’t going to just walk into a competition and take 1st against someone who’s been living and breathing this for literal years. It was a humbling experience wherein I saw just how far I had come, but also how much further I could still go. The best outcome from a period of intense work and preparation.

Honestly, even if I had won, I would be feeling much the same way as I am now. This moment I had been building towards for so long, over in the blink of an eye. Now what?

BE the competition!

During training, my grappling coach said something to me that stuck with me (partially because it happened to line up with my Tarot reading). He said that for a brief period you need to become the competition. You have to be one with the moment, the situation, all the dynamics going on, and respond to it naturally, honestly with exactly the energy that is required to fill in the space left by the shifting tides in and out of the moment. But when it’s over, you need to separate yourself again and come back to life.

I think this is the real change that occurred in me: for a brief period of time I was the competition. I lived for training, all I thought about was training. The was no separation between myself and the moment I was preparing for. Until, I suppose, I was knocked out out of it by, as the wonderful announcer put it, “losing a battle with physics.” I met the moment ahead of me and gave myself to it as much as I was able to. And when that tide receded, I was able to smoothly and calmly let it slip away beneath my toes. That doesn’t mean I know where I’m going next, just that I can be ready to receive whatever the next tide holds.

I wrote in my last post about where I want my training to go once these challenges I have been building towards for so long are over, but I really can’t just be focusing on training. Living like a professional athlete is great, but a professional athlete I am not.

I know I gotta get back to making art again, whatever that looks like in this modern digital hellscape. But I also know I can’t go back to how I had been living prior to this period of training, which had me largely artistically treading water, just trying to survive. I need purpose. I need something that drives me, not just in my physicality (which is easy to find) but in my artistic output.

Christ. 2019?? I’ve been sitting on this WAY too long.

Actually returning to my comic, Starfist Gemini, is certainly on the table for a long-term art goal for me, but having a concept of a project isn’t enough. Powell Street wasn’t the vague concept of “sumo wrestling”, it was a specific, defined event. A date I had to be ready for, with specific parameters of how I needed to be ready. The primary thing that has held me back from actually pulling the trigger on returning to Starfist is a lack of a defined plan for its release; a lack of a defined outcome for working on it. In the past, I could just put comics on social media and that would result in views, likes, Patreon, book orders – all the things needed to sustain an art career. But social media doesn’t work the way it used to (and I hate it and it was killing me), and long-form, full-page comics meant for print don’t read super well online, and unfortunately, it’s not the easiest thing to tuck into working all day long on a comic without revenue. What I need to do if I’m serious about doing graphic novels is actually pitch them to publishers – I’m just gonna have to get over my fear of rejection for this project that is so close to my heart. Hopefully, my meeting of the moment of Powell Street has taught me that I can meet the moment required of me in order to make the art I want to make happen.

Truly, what this is going to take is some soul-searching on my part to understand what I want to accomplish as an artist.

Just who am I now that this moment has passed?

Oh right! I’m Buff Aunt Bria!

If you live in Vancouver, don’t forget to come my FREE Queer and Trans Karate class! Mondays at 6:30 PM at 825 Pacific Street! All bodies and abilities welcome!

Please help me to live and keep making and doing good things!

Monthly subscriptions give me stability: Patreon.com/lifeofbria

One-time donations: Ko-fi.com/lifeofbria

Being Recognized For Who You Are Isn’t Nothing

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There are moments that you build up in your mind for so long that, when they finally come, there is no way they could ever live up to whatever your idea of them was.

I remember reading trans people’s depressed accounts of not feeling “different” post-transition – it’s not that transition wasn’t a powerful and necessary process for them, but that after years and years of yearning for something that seemed impossible, they expected to feel fundamentally different once they had “crossed the threshold”. But the truth is, even after the process is over, you are still you. You may not have been previously recognized, or been allowed to fully express yourself, but the core person that you are has always been there. Any changes that have occurred along the way throughout the process will have been so gradually built up that they will be almost imperceptible to you, even if they have all built up to be something quite great.

On this past Saturday, I finally had my black belt test in Karate.

I have been training in martial arts for 25 years, and for over 20 of those years I’ve had my brown belt (the rank typically below black belt) in Shotokan Karate. I took martial arts training with the seriousness of a neurodivergent transfemme desperately trying to fill the bottomless pit in my heart with anything other than admitting the terrifying truth about my gender. But despite my rigorous training, and the incredibly harsh treatment I put upon my poor, tender, adolescent queer heart, I never felt “good enough”. My body never looked ‘right’, and my skills and physical abilities were never high-enough level. I was a fat kid, and martial arts training helped me to lose weight… culminating in me picking up an eating disorder in my later teens, that was itself only “addressed” by taking up bodybuilding.

In retrospect, it’s so obvious that this was an expression of unaddressed dysphoria, but at the time, I just felt like a perpetual failure – an underlying sense that I can see I have carried with me on some level ever since, even after transitioning. You become so used to feeling bad, that it becomes definitional to your sense of self. You and anything that comes from you, is, by default, not as good as somebody else.

I was ready for my black belt when I was 18. All I did was train – I didn’t go out, I didn’t see much of my friends, and dating was absolutely out of the question. All I cared about was training. But as the date of when my test would be approached, I got word that the curriculum was being changed. Trying to be humble, and not wanting to mess up on what I certainly would have viewed as the most important moment of my life up until that point, I decided not to test at that time, but I did go to the seminar at which the belt tests were being held, as would be necessary if I wanted to test later on. That’s how it works; you go to a seminar to train with the senior instructors, and if they approve, then six months later you can go to another seminar and test.

I went to the seminar and saw that the curriculum had been changed to something easier than what I had been practicing – it was more akin to what I had just done for my brown belt previously a few years before. I also saw that there were people testing for their Shodan (1st level black belt) and even their Nidan (2nd level) that I felt were not as good as I was. Whether or not this was actually the case, it is hard to say 20 years later – in my experience, teenagers often have an inflated sense of their abilities, and a sense of time and scale that lacks the perspective only age and experience can give. But nonetheless, this was a supremely disillusioning experience.

While I didn’t give up on martial arts as a whole, I did have reinforced in my mind my teenage sense that authorities were not to be trusted and institutional titles and recognition were largely meaningless.

I went away to university, and while I did continue to train on my own and with friends, I didn’t bother pursuing any kind of organized training with a dojo or put any thought to testing for a black belt I wasn’t even sure I believed in anymore. But everywhere I went, once my deep interest in martial arts inevitably came up, I would get the question of “What belt are you?“, and I would have to tell the above story that I quickly came to loathe having to tell people.

Worse still, I would frequently encounter people who would respond with something like “Oh neat! I got my 2nd degree black belt in Taekwondo when I was 12!” I don’t want to shade Taekwondo, because it actually has a very cool origin based in anti-imperialist resistance against the Japanese occupation of Korea, and there are many Taekwondo practitioners today with incredible skills, but modern Taekwondo has an even worse reputation than Karate for giving out black belts far too easily (any black belt you get at 12 really can’t be worth much). It would take all of my restraint to not undercut these people by telling them their black belts don’t mean jack shit, as I knew I would largely be just taking my own frustration and inadequacy out on them. It hurt seeing so many people have something so easily that I felt I couldn’t have myself.

Five years later, I graduated university (another meaningless title I didn’t really care about) and moved back home with my girlfriend to fix up an old sailboat. During that time, my old Karate teacher encouraged me to test for my Shodan, and since I was in even better physical shape with a much higher degree of ability than I was at 18, and, more importantly, I was so sick of telling the story of “why I don’t have my black belt“, I jumped into training with the goal of testing. I got approval to test from the local senior instructor and went to the next town over to train with him on a regular basis. As the date of the test approached, I started to experience a collection of symptoms, including severe (and I mean SEVERE) back pain at night. Despite their painfulness, the test was important enough to me that I shrugged the symptoms off as over-training and resolved to properly address them if they continued after the test.

The night before the test, my mom, my girlfriend, and I drove to the town it would be in and got a hotel room. But on the morning the seminar was to begin, I was informed by a very sheepish senior instructor that, after talking it over with the other senior instructors, they decided that I should have to wait for the next seminar in six months time, since I hadn’t technically done the whole “go to a seminar, and then test at the next one six months later”. I wanted to be humble, and not act entitled, so I swallowed my disappointment and continued with the seminar, resolved to finally test at the appointed time.

The thing is, those symptoms I had shrugged off as over-training, it turned out they were stage-IV cancer. The back pain? That was the cancer splitting my vertebrae apart from the inside!

The next year of my life revolved around a new challenge; battling cancer. I kept up what training I could, as the medical evidence showed that moderate exercise during cancer treatment improves treatment outcomes and quality of life. I got through lengthy chemo infusions and MRI scans by meditating – visualizing myself performing katas (patterns of movements that make up the curriculum of Karate) or defeating an impossible foe, such as my sensei. I had to go through four different treatment protocols over the course of a little over a year – 6 months of one type of chemotherapy, 3 months of another (worse) type of chemo, a bone marrow transplant (which involves a MASSIVE dose of chemo), and then a month of radiation. My strength and muscularity helped me to handle higher doses of chemo, so as soon as a treatment protocol was completed, I would immediately begin training to build myself back up in preparation for the next treatment. After all the treatments were complete, since there was no guarantee that my cancer was defeated for good, I set into training as hard as I could, achieving higher levels of physical ability than I ever had before.

During the course of dealing with cancer, I finally began grappling with my trans feelings – almost dying has a way of making you re-evaluate your life. In that time, I was on the verge of transitioning on more than one occasion, but it wasn’t until after moving to Thailand after beating cancer that I made the decision to finally go through with it.

I remember one night, riding my bicycle home across Phuket island after my regular Muay Thai training. Muay Thai is the kickboxing tradition of Thailand and it is the most respected striking-based martial arts discipline in modern combat sports due to the high amount of sparring and competition that has shaped the style’s techniques and training methods, keeping the style “live” and un-abstracted, unlike the way much of modern Karate has become. I learned so much about martial arts in my time in Thailand, and I loved the training I received at a community-oriented/non-tourist gym from my personal coach – who seemed hopeful that I might consider competing in the future. There are few better feelings than riding your bike home in the warm evening air after an exhilarating training session, but on my ride, I found myself trying out my female vocal practices I had engaged in during my previous furtive attempts at transition. I figured I had moved past such “frivolous” things, and I practically tried them out as proof of that. But I found in them an even more exciting joy than kicking pads in a grimy boxing ring with a private coach. Here I found myself in a beautiful place, with a cool job, in the best shape of my life, after just having beaten stage IV cancer – I should have been on top of the world, and yet, I still wasn’t happy. The choice was terrifying, but obvious.

Those next few years saw me training in a new way – trying to alleviate dysphoria and shape my body into a more ‘feminine’ form by melting away my hard-won muscles through lengthy cardio sessions performed on an empty stomach. This training, too, included martial arts, which took on a much greater relevance to me now that I was presenting as a woman, and as trans – one of the most hated minority groups in society.

I once again was presented with an opportunity to test for my Shodan, this time by my friend and head instructor at Kumakai – two of his students were preparing for their Shodans and he thought it might be nice if I finally did mine, too. I thought about it, but in addition to my previous experiences with testing, the experience of coming out as trans and challenging the patriarchal order of our society via snarky webcomics really had me in a mindset of not caring about authorities and institutions. So declined my friend’s offer, and largely turned my back on martial arts outside of occasional, casual workouts on my own for the next few years. As far as I was concerned, the #1 threat to my health was dysphoria, so I was mainly interested in training that would help alleviate that.

It wasn’t until 2021, when I was promoting my graphic novel, Coming Out Again, on a live-stream where I did some Karate moves, that I once again realized how important martial arts were to me. I trained for several months after that, in preparation to make a silly Power Rangers video that I had hoped might lead to some kind of Youtube career of building puppets and doing Karate moves. While I got into incredible shape, not too long after, I experienced increasing total body joint and muscle pain, stiffness, and numbness. I’ve written before about how I think this was caused by a combination of my stressful work as an online creator, returning to training after a period of relative inactivity, and going on ADHD medication known for causing muscle clenching and stiffness. But as simple of an explanation as that was, it wasn’t an easy process to reverse it. For a time, the pain and stiffness would only continue to get worse – I couldn’t even hold a pencil without pain – and I really thought that my life as I knew it was over.

One day, my partner wanted to cheer me up, so she put on Karate Combat, the current, most well-rounded full-contact striking-based league in combat sports. I was so inspired by what I saw that I remembered how I used to be – strong and vital. I missed the old me and didn’t want her to just wither away without a fight. I began doing just a little bit of training every day – 10 squats when I brushed my teeth, maybe a few kicks and punches during a Karate Combat match, before the pain would become too much.

I acted in a play near the end of 2022 – In My Day, which was about the AIDS crisis in 1980’s Vancouver. Working with this heavy material every day required something to ground me, so I started doing Karate on my lunch breaks, and before too long, also in the evening after rehearsal. The training built up more and more, the joint pain reduced, and my fitness improved, until about a year later, my friend, the head instructor at Kumakai, asked me if I would be interested in teaching with the club. They had taken over a large club out at UBC that would require more instructors to adequately cover all the students and give them the necessary amount of attention required for them to grow and progress. Early on in this process I decided that I would like to finally try testing for my Shodan, as I knew that having someone at the club training for their black belt would bring up the energy in class and help inspire and motivate the students.

But these things take time, even when they’ve already been a long time coming. It took a year and a half more of training to polish my skills – I had forgotten nearly all of my katas, and after training in Thailand and then so many years of more informal training on my own or in small groups, my way of moving was more like a kickboxer or Muay Thai fighter, which is fine, but not exactly what might be looked for on a Karate back belt test.

I gave myself many tests and challenges along the way. Punching out a candle. Punching a hole in a newspaper. Breaking boards. Repeatedly shoving my fingers into a bag of rice, then beans, then rocks. My Sumo wrestling training I’ve engaged in this year is also part of the test – Karate finds its roots in Shima, traditional Okinawan wrestling that is almost identical to Sumo, and I really feel this training has massively improved my fighting ability as well as my understanding of Karate. Probably about 3/4 of movements in katas are, in fact, wrestling moves, rather than strikes.

But then finally, after all of these years of struggles, tests, and training, I finally got my chance to test this past Saturday.

I really didn’t feel I was at my best. I was all banged up from Sumo training, which held my usually powerful kicks back in particular, and after the seminar was over, it became clear to me that my house guest staying with me that week had given me some kind of minor cold. I wasn’t able to do many things I had hoped I would be able to do on or before the test – my full side splits haven’t quite returned to where they were when I was younger, I haven’t worked up the courage to break four boards yet like I had planned to in my training (I really didn’t want to hurt my hand right before the test), and my best friend and usual sparring partner has been out of commission for the past several weeks with a back injury, so my sparring ability was not nearly as sharp as I had hoped it would be. But I knew I had to go into the test letting go of perfectionism. I needed to let go of my self-doubt and that sense that anything that comes from me is definitionally no good.

Despite whatever shortcomings I might feel I have in terms of my own high standards, I can say that I didn’t choke under pressure. I kept my composure and performed as well as I possibly could have.

Typically, a black belt represents that the student knows the basics of the style, and now the real training can begin. But this black belt, that has been so long coming for me, is so much more than that.

As I opened this piece with, this moment couldn’t really ever live up to all that pressure of 20 years of struggle and training. Did I really deserve this? Had I really trained enough in the last few months to polish everything up? Were my friends and colleagues just being nice to me when they signed the document awarding me my black belt? This same doubt has plagued me in everything I’ve done for most of my life. But while I felt these things briefly after receiving my belt, I definitely have felt a shift in myself. I feel as though a deep wound has been healed.

I told myself for years that I didn’t care about institutions, or titles, or recognition by authorities, but it is clear to me that I have been carrying a shame and stigma around ever since my teens. Much like transition, as long as this was unresolved, I was always going to be held back in life. As long as I had this hanging over my head, I was always going to, on some level, feel like I was no good, and that I couldn’t trust others.

While we shouldn’t define ourselves by the views of others, which we have no control over, being seen and recognized for who we are is vital to feeling safe and connected within our communities. I’ve carried anger around with me for 20 years towards those institutions who gate-kept me from being recognized. But much like how my relationship with cancer has changed from one of antagonism with the illness that nearly killed me, to gratitude to the crisis that caused me to re-evaluate my life and come out as trans, my feelings after this weekend have shifted from anger at being held back for 20 years, to gratitude that I got to receive my black belt (and the certificate for it, which carries my name) as my true self.

If I had gotten my black belt 20 years ago, it might have just been one more burden from my old life I wanted to be rid of. But now this time I got to be tested not by a cadre of old men who, frankly, I don’t have much respect for, but instead by my peers, all of whom I respect, admire, and love. This black belt means far more than any black belt that I could have gotten in my teens. I might view such a black belt today the same way I view those black belts given to 12 year olds. On my test, I even got to teach a real, bonafide Karate Combat fighter a thing or two about kata – he came up to me and asked me to teach him!

So what now?

For the second time in my life, I once again find myself feeling like that transfemme icon, Conan the Barbarian, after having completed the lifelong quest of vengeance that consumed and defined him, sitting on the steps of Thulsa Doom’s temple contemplating what he will be now that it is over. This test has occupied my mind on some level for decades, and the past several months in particular have been completely consumed by training. On days off from training I practically don’t know who I am.

I have no intention of stopping training, even as I know I have to return to doing other things in life (when was the last time you saw new art from me?), but the question remains: what for?

Well, first of all, I still have one more challenge on the horizon that I consider to be the final part of my black belt – the secret last boss to this period of training that comes only after you’ve completed the main game’s story (and only if you did it correctly).

The Powell Street Sumo Wrestling Competition is less than a week away as of my writing this, and I have signed up to compete in the “Competitive” bracket. I have no idea what to expect. My understanding is that some pretty powerful competitors sometimes show up to Powell Street, but you never know who actually will. If I’m being honest, I’ve been training harder for Powell street than I did for my Shodan – partially because of the excitement of live competition, and partially because my wrestling coach has recently been disrespected by his dojo to the point of him publicly resigning from the club. I feel so angry on his behalf and I want to win to show to these fools just what an incredible teacher they have so carelessly spurned!

I go back and forth about my chances of winning – there are some pretty big, strong, experienced grapplers out there. But I did win my last competition fairly easily, and I’ve been doing well in training, so… who knows? While, yes, I want to win for my coach and I want to prove that after all these years of training I might actually know something, the point of competing isn’t to win, it’s simply to do it. We have these life experiences and we take them seriously and sincerely simply for the sake of having a full and meaningful life. Whatever happens, the process of preparing for Powell Street has made my Karate stronger and my black belt more meaningful.

Kudo, the space helmet Karate

But beyond that, I had a new idea knocked into my head during my test. The final challenge on the test was a Bogu round with our head instructor. Bogu simply refers to protective gear, and historically has mostly been used in reference to the armour worn by Kendo practitioners. But sometime in the 1980’s, the Kyokushin Karate off-shoot, Daidojuku Karate, began using a form of bogu helmet to allow for full-contact strikes to the head while minimizing CTE, the bane of modern MMA fighters. In the 90’s, Daidojuku changed its name to Kudo (Karate + Judo), and while it still hasn’t received widespread popularity in the West due to the prevalence of MMA, it is massively popular in Russia and Japan, and it has become a robust and vibrant competition circuit that allows the martial artist to test themself in a full-contact environment with some amount of consideration for long-term health. There are people competing in Kudo into their 70’s!

I had a hell of a time fighting in that bogu round. Because of the space helmet protective gear, headbutts are allowed in Kudo, and so when Kyle headbutted me during our match, I headbutted him right back! The next day, my neck was sore from taking hard punches to the head, but I went to sleep that night with images and sensations from our fight swirling in my mind. Our club, Kumakai, is currently moving to become the primary Kudo representative on the West Coast in Canada, and I could easily see myself training to compete in Kudo in the very near future!

Like I said with Powell Street, competing isn’t for the sake of competing. It’s to test ourselves and have life experiences that make us stronger. The world is swiftly becoming a scarier place than it seemed to be a few years ago. I want to be able to use my many years of martial arts training to protect myself and my community, and to pass on those lessons that I learned from martial arts which allowed me to stand strong in myself and find out who I really am. Competition in something like Kudo is just the thing to test my skills and show myself that what I might teach the next generation of Transgender Karate-ka is actually based in something real, rather than the “because I said so” of some old man gatekeeping martial arts.

“Scorpion & Leopard Society” is the current working name for my new 2SLGBTQIA+ Karate club.

Which brings me to the final next thing on the horizon for me in the martial arts. Starting Monday, August 11th, I will be teaching Queer and Trans Karate classes at 6:30 PM at the 221a Arts Association on 825 Pacific Street in Vancouver.

No experience is needed, classes are free, and are open to anyone who self-identifies as trans or queer.

Martial arts is who I am, and I am beyond excited to being this next chapter in my journey, sharing my skills and experience with my community, which I can now fully feel like I can be seen by and participate within.

Hope to see you there!

Don’t Hold (Yourself) Back

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If you follow me, then you no doubt are aware of my propensity to disappear. Almost every post I make on any given platform is likely to start with some variety of “Sorry I haven’t posted in a while”.

So, uh, yeah, sorry I haven’t posted in a while.

I don’t want to blame everything in my life on my ADHD, but it is true that is definitely a major factor in my disappearances that affects me in multiple ways. (HORSE TIME BABYYYYYYYYYYY)

However, the reason that lies far deeper at the heart of why I so frequently disappear is a far more universal one than my own individual neurodivergence. And that is…

Social Media Sucks and it is Bad For You

I don’t need to belabour this point. I’ve written about this plenty of times and we pretty much all know it by now. Like smoking cigarettes or drinking alcohol before it, social media has become a socially acceptable health-destroying facet of modern life, only less cool and fun than those other things. From melting our attention spans to destroying our self-esteem to breaking down the social connections between people, all in service of enriching and entrenching the societal power of the wealthiest and worst men on Earth, social media as it currently exists just flat out is not good for us.

As someone who made her career off social media, it’s been an ongoing challenge reconciling with how I am linked to something that can be fairly conclusively linked to the destruction of our personal health and civil society. I feel a sense of guilt for posting, regardless of what I post, because I feel like I am only encouraging people to continue to engage with these toxic platforms. As I most likely have written in a blog post before, I often describe being an “online content creator” as “smoking brain cigarettes in order to sell brain cigarettes to children, for no guaranteed pay, and also the brain cigarettes turn you into a nazi“.

While I have ranted and grumbled about this both in private and in public for years, I only fully realized just how bad for me the social media environment was and is. I have written a few times about the total body joint pain I had to deal with in 2022, and which caused me to change a lot about my life. That situation undoubtedly arose from a build up of chronic stress from working as an online creator, and one key thing which I only recently realized the significance of, was how during that time, if I was upset or startled or surprised, or experienced any kind of sudden shock, including things as simple as sneezing or tripping over something, I would experience a kind of tingling itchiness all over my body. This feeling was very similar to the histamine reaction I would get all over my body when I had cancer. Histamines are usually associated with allergic reactions and the cancer I had was a cancer of the immune system (Hodgkin’s Lymphoma). So, for my body to respond to even minor shock and stress with an immune reaction, while at the same time experiencing severe joint pain and stiffness all over my body, I can only conclude that the stress of my life at that time was causing my body to attack itself in an effort to curb a perceived, omnipresent threat.

The past few months I simply haven’t been on social media. I deleted it all from my phone and closed all the tabs on my browsers (yes, even Bluesky). And, I have to say, it has been wonderful. One thing in particular I have noticed after taking this break is that I no longer feel that tingling when I’m startled. My body and mind have been able to calm down in a way they most likely could not have if I had continued to engage online.

Sadly, that blissful period must come to an end.

I am, at the end of the day, an artist, and an artist must put herself out there into the world, and the #1 way to do that in this terrible, digital age is via social media. So the apps are back on my phone, the tabs are opened in my browser, and I must now return to “digital panhandling”, as my haters used to refer to what people in my profession do. So keep an eye out for more posts from me, as I have a lot of exciting projects coming down the pipe that I will be talking about.

What have I been doing though?

The little kids I teach fight over who gets to hold my hand when we make a circle and I get called ‘mommy’ by somebody most weeks. It’s a good life.

Well, I have been teaching a whole lot of karate. I run the Kumakai kid’s class now, and just recently I was running a week-long “Super Hero Camp”, where kids make art and practice martial arts. Next month, I will be teaching a week-long series of karate classes as part of Pride Month celebrations. I am also in the process of setting up my own LGBTQ+ Karate Club, but it has been a slow-going process of registration and bureaucracy, so I’ll keep you posted on the progress on that and maybe we will be able to train together sometime 🙂

Truthfully, a very large amount of my time has been spent in my training. I train almost as much as a professional athlete. One thing I have always been embarrassed to publicly admit, given how long I have trained in karate, is that I never did yet get around to testing for my black belt. I had various points in my life where I had planned to test, and it is a number of long stories I am very tired of telling as to why I never did, some of which led me to feel disillusioned with martial arts organizations and the notion of belts at all (I don’t even really like training in a dogi anyways, to tell the truth). But this Summer I will change that and finally test for my Shodan! I have little doubt that I will pass, but given how long a time it has been coming, I want to really pass. I want my black belt to mean what I think most people think a black belt means, which is a symbol of a high level of proficiency, if not mastery, rather than what it typically means in most martial arts, which is that you have an understanding of the basics and are now ready for the “real” training. I don’t mean to brag, but I’ve been training for 25 years, and I’ve taught for 20 of those years. I’ve achieved elite levels of physical ability at different points of my life, and I know fourth degree black belts who are intimidated by me, so at this point I really want my own black belt to mean something when I finally get it.

You’ll just have to take my word that I broke these boards by punching them. I’m up to two with one punch!

So I’m training every day. Usually between 3 to 5 hours each day. On the day of the Canadian election, I managed to stress workout for six hours straight without realizing it. Recently, I took up sumo wrestling and I will be competing in the Vancouver Sumo Basho later this month. It feels so exciting to be training for a competition, and I can feel the excitement of those I am training with as they help me to prepare for this purpose. I would like to compete more, not just in sumo but in different combat sports. At nearly 40 years old and in an era where trans participation in sports is being increasingly restricted, it may seem like a bad time for a struggling artist like myself to style herself as some kind of competitive athlete, but the way I see it, this is basically my last chance to see what I can seriously do before I get too old or the environment gets too unfriendly. Who knows? Perhaps my competing can even serve some useful purpose for advancing trans acceptance.

To be fully honest, spending so much time training really does take a toll on the ol’ income, especially while being on hiatus from social media. This month in particular, with the Basho coming up and no large karate workshops scheduled, I need to make up some extra income to pay all the bills come June.

Any contribution my dear readers can make to my ko-fi will go a long way in helping me to maintain my progress and momentum on this journey to become the next trans ambassador in combat sports and martial arts.

Similarly, anyone who is able to support me on Patreon will be massively contributing to my ability to continue what I do on an ongoing basis. I know my public output has been lacking, so I supremely appreciate all of those who have continued to support me.

I am also opening up commissions and will be selling off some pieces to make up some income. Send me an e-mail at lifeofbria at gmaildotcom to inquire about commissioning me, and keep an eye out for posts about upcoming art sales.

My very first landscape on canvas. Thanks for the donations, Amy!

My true artistic passion these past several months has been my landscape paintings. I began painting watercolours as a means of improving my backgrounds and environments for graphic novels, but it has since evolved into an art practice and passionate obsession unto itself.

I started with simple watercolors made with dollarstore materials back in 2023, these grew in sophistication over 2024, and in 2025, thanks to donation of canvases and an easel by a friend who was moving out of town, I have graduated to painting at a much larger size on canvas with acrylics.

I don’t think the photos I have been able to take really do them justice, but I really am very proud of this new kind of work. I intend to have a gallery show later this year, and I will write in greater detail about my past painting work in a future post, but suffice it to say, this has been a major focus of mine during my offline vacation. I average about one painting per month. I’d like to go faster so I can have enough pieces for a show sooner, but I should be encouraging myself to find balance rather than Horse-Timing it 😉

While there are a number of other secret projects that I will be able to talk about in future, the most exciting new development I will share with you today is that I have been cast in what is my largest theater role to date!

Since 2018, I have been involved in local Vancouver theater productions as an actor, and since 2022 I have been involved in workshop readings of a particular play that I think for now I’ll leave unnamed just in case the production team are not yet ready to make public cast announcements. This year that play is going to a full stage production, and I was invited to audition for the role I had read for during the lengthy workshop process.

Unfortunately, I did not get that audition.

I have an idea of what I did wrong in the audition, despite being a shoe-in for the role. I think I held myself back in the audition in the same way that I have often held myself back out of fear of being too much, fear of crossing boundaries, and fear of rejection. I often haven’t posted art because I feared rejection. I would build things up in my mind and assume failure before I ever tried. Walking away from social media was more than a much needed break for my health or a statement about my ethics, but also a way of playing into my fears and preemptively avoiding rejection and failure by an algorithm that doesn’t exactly value the same things I do. I have been sitting on a mountain of paintings I am immensely proud of that I have shown to nobody because I’m afraid of those being rejected. I stopped trying to test for my black belt because I feared the rejection of authorities about something that was central to my identity. I avoided all competition because I both feared losing but also feared crossing boundaries and taking up too much space by doing what it would take to win.

You can’t fail if you don’t try, right?

I think this is a very common problem for trans people. We hide our true selves from the world and learn very early on that expressing our true selves will bring trouble. We spend years telling ourselves that we can’t have what we want and that we are wrong for wanting it.

This past weekend I was visiting my mom, and she brought out a silver medal from a judo competition from when I was nine years old. I was a fat little kid who hated everything, and who especially hated being told what to do (funny what effect assigning the wrong gender to a child will have on their behaviour). But as a fat little kid who was practically wider than I was tall, I was really good at judo, despite hating it like I hated everything else people made me do.

At this little tournament that was held at the end of the training season, I was not wanting to participate in my typical fashion, and so in my first match I just refused to do anything, and I was thrown, pinned, and consequently, I lost. But then one of the instructors explained to me how, if I hated it so much, I could get it over with without having to be thrown and pinned by throwing and pinning my opponent. And so I did, and I easily won every match and got a silver medal. I did so well, it was clear I would have gotten gold if I had just tried from the get-go. My mom had hoped this victory would encourage me to stick with judo, but unfortunately for my future combat sports aspirations, I was still a lazy little kid who hated everything, and so I did not stick with judo – arguably one of the best foundations one can have for combat sports.

Of course, there’s nothing wrong with coming in second place, but now I have this silver medal that basically stands as a testament to the time I held myself back from a victory that could have easily been mine.

So now I’m tired of holding myself back.

I’m extremely lucky. I’m not sure what happened, but despite initially being rejected for the part in that play, I have since been offered the role! I hope all is well with whoever was initially given the part, and it certainly doesn’t feel great to be second choice for something, but I will not turn down this incredible opportunity.

I’m tired of assuming I won’t be good enough or that my attempts to be the best I can be will cross boundaries and bring another form of rejection. I’m not holding back in my training, I’m not holding back in competition to test my training, I’m not holding back in my art, and I’m not holding back when I go out on stage and perform this Fall.

My main take away from the past few months: Don’t Hold Back!

Don’t Hold Back

Again, any contribution my dear readers can make to my ko-fi is greatly appreciated, doubly so to anyone who is able to support me on Patreon.